A Conversation Between Vague Visages’ Q.V. Hough, Dylan Moses Griffin and Max Bledstein
A Column by Dylan Moses Griffin
The Second Installment of Justine A. Smith’s Column on Love and Erotica in Cinema
“Phoenix’s devastating final scene pretty much erases a need for the specifics of the moral blindness.”
“In choosing to cover so much breadth of ground, Felt falls well short of any meaningful examination of the gender issues plaguing American and world culture.”
“Digestivo” feels almost like a bottle episode due to its concentration on Mason’s Muskrat Farm, and the close quarters are the perfect setting for seeing the characters play off one another.
A Column by Dylan Moses Griffin
Film Beat #1 by Phuong Le: Personal Recollections on the Brief Cinematic Moments That Refuse to Leave My Heart and Mind
A Column on Love and Erotica in Cinema by Justine A. Smith
“The tender performance of McKellen, as might be expected, is a reliable anchor keeping things afloat; the actor seemingly relishing a major turn free of mutants and wizardry — a fantasy icon on fine form as a man not fond of the fantastic.”
