“The film reveals the importance of communication in love, but perhaps even more, the importance of empathy and understanding.”
A Column by Dylan Moses Griffin
“At its best, film allows viewers to see the world through another person’s eyes, and to live for a fleeting moment in somewhere unexpected and beautiful, so wouldn’t it be wonderful if the purity of that moment could last a just little bit longer?”
“Blonde aux yeux bleus never feels anything but natural and organic, and it is working in the service of great and contradictory emotions.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“A surprisingly funny and sharp-witted caricature of mass-produced horror, The Final Girls is the product of cult film iconography and our culture’s obsession with the ironically good.”
“The documentary suggests that the makers of Saturday Night Live, in all likelihood, probably don’t have contempt for their audience. It’s harder to say that’s the case for the team behind Live from New York!”
“The little side comments throughout “Waiting for Dutch” keep the episode light on its feet, but never in a way which overwhelms the story or characters, making for a fantastic start to the season.”
“Damon Lindelof and company don’t need to give answers if they’re asking the right questions.”
A Column by Dylan Moses Griffin
