Peter Bell is a recent graduate of Columbia University, School of Arts, New York, NY with a Master of Arts in Film Studies. Peter’s interests in film include film history, film theory and film criticism. Ever since watching TCM as a child, Peter has always had a passion for film and is always trying to add greater context to film for others. His favorite films include Chinatown, Blade Runner, Lawrence of Arabia, A Shot in the Dark, and Inception. Peter’s favorite director is Christopher Nolan, whom he had the pleasure of seeing speak in 2015 at the Tribecca Film Festival. Past film experience includes a documentary research internship with Pierpoline Films and volunteering for ReelAbilities Film Festival. Peter believes movie theaters are still the optimal forum for film discussion and discovering fresh perspectives on culture. Peter’s hobbies include soccer, watching “Mystery Science Theater 3000” and reading 80’s and Golden age comic books.
“Maurel allows Arenas’ body language to speak for her, rather than relying upon cliché teenage dialogue found in many Hollywood films.”
“Moin Hussain’s ‘Naptha’ is a classic, compact portrait of a strained father-son relationship that addresses the angst of aging and the pain that familial relationships can bring.”
“As a whole, ‘John Wick: Chapter 3 – Parabellum’ is a fun romp and continues the Greek/pulp mythology set up in ‘John Wick: Chapter 2.’ In future installments, Stahelski might want to tone down the campiness, otherwise the series will lunge into self-parody.”
“Rodriguez’s battle scenes and the performance capture acting of Rosa Salazar (Alita) are shining aspects of the film, but not enough to render it praiseworthy overall.”
“‘The Mule’ will not be remembered as one of the Eastwood classics. In all likelihood, it will be boxed in with two superior Eastwood films as part of a collector’s pack.”
“Few actors are truly cross-generational in the manner media outlets make them out to be. Robert Redford, however, has earned this distinction.”
“When it comes to sheer quantity of triple-crosses, double agents, remote control gizmo toys, one-liners, stunts and rubber mask fake outs, ‘Mission: Impossible — Fallout’ outdoes its predecessors. The big question now, however, is whether the longevity of this franchise is finally taking its toll on the overall quality.”
“‘The Dark Knight’ offers far more than a well-crafted comic book tale. Nolan provides a thoughtful film about love, sacrifice and the greater good; the underlying themes stand the test of time and merit celebration upon the classic’s 10th anniversary.”
“Yates delivers the message that our chosen professions and work environments define who we really are. One cannot successfully live a dual existence. Love requires the joining of oneself to another person as well as that person’s job.”
“By exposing the falsehood of one’s presumption of power, the Safdies awaken viewers to the inescapable consequences of their actions and weaknesses, along with the vulnerability of their own fate.”
