Peter Bell is a recent graduate of Columbia University, School of Arts, New York, NY with a Master of Arts in Film Studies. Peter’s interests in film include film history, film theory and film criticism. Ever since watching TCM as a child, Peter has always had a passion for film and is always trying to add greater context to film for others. His favorite films include Chinatown, Blade Runner, Lawrence of Arabia, A Shot in the Dark, and Inception. Peter’s favorite director is Christopher Nolan, whom he had the pleasure of seeing speak in 2015 at the Tribecca Film Festival. Past film experience includes a documentary research internship with Pierpoline Films and volunteering for ReelAbilities Film Festival. Peter believes movie theaters are still the optimal forum for film discussion and discovering fresh perspectives on culture. Peter’s hobbies include soccer, watching “Mystery Science Theater 3000” and reading 80’s and Golden age comic books.
“By exposing the falsehood of one’s presumption of power, the Safdies awaken viewers to the inescapable consequences of their actions and weaknesses, along with the vulnerability of their own fate.”
“I contend that not only has Nolan grown as an auteur, but that he has perfectly captured a universal truth to which all may relate and celebrate.”
“It’s ultimately Scarpa’s bizarre scripting decisions that make the film just a fun crime thriller, and not a Ridley Scott classic.”
“The DC Extended Universe is not doomed, but it needs its own clear identity and purpose. Rebranding ‘The Avengers’ is not the answer.”
“The stories and conflicts of Scott’s android characters cause viewers to contemplate a number of issues relevant to the human condition.”
“With great color, style and technique, Ford haunts the audience with the disappointments of our absurd world.”
“With ‘Baby Driver,’ Wright delivers a delightful, mid-summer cinematic treat.”
“It’s the subliminal drive toward the realization of his ideal self that evokes his potential.”
“One of the hallmarks of good cyberpunk is the exploration of humanity in a post-modern world where technology is the dominant force. This philosophical probe falls short in Rupert Sanders’ ‘Ghost in the Shell.'”
“I foresee that VR will eventually become a key asset of filmmaking, putting itself right alongside sound, color, digital and CGI as an essential staple of the industry.”
“The grey hue of ‘Hell or High Water’ becomes more distinguishable when juxtaposed to films with plots that are more clearly black or white.”
“In regards to modern day politics, ‘Cat People’ captures the anti-immigration fervor of the 2016 American presidential campaign and election.”
“Refn provides a movie with universal appeal, displaying how pathetic and desperate human beings can be in their moments of weakness, insecurity and greed.”
