Vague Visages Is FilmStruck: Jeremy Carr on Ingmar Bergman’s ‘Fanny and Alexander’
“It is a vigorous and violent film, epic and enchanting, probing and revelatory and voluminous in its ornate, cohesive and exhaustive production design…”
Vague Visages Is FilmStruck: Jeremy Carr on Steve James’ ‘Hoop Dreams’
“As much as ‘Hoop Dreams’ concerns the sports-centric plight of William and Arthur, it is perhaps even more significantly an illustrative case study of what perpetually imperils men (and women) of a certain social, economic and racial constitution.”
Vague Visages Is FilmStruck: Jeremy Carr on Alejandro Jodorowsky’s ‘El Topo’
“El Topo’s twisted connotations maintain an enduring, mind-bending eminence, and its aesthetic allure persists because of the unrestrained possibility inherent in all that Jodorowsky does.”
Vague Visages Is FilmStruck: Jeremy Carr on Sergei Eisenstein’s ‘Strike’
“As it’s applied to ‘Strike,’ Eisenstein’s methodology is generally simplified, with an occasional leaning toward crude hyperbole.”
Vague Visages Is FilmStruck: Kate Saccone on Charles Walters’ ‘Summer Stock’
“I’ve always had a soft spot for ‘Summer Stock’ — it may not be the most innovative or exciting of Kelly’s films, but it’s an unpretentious movie that delights in the pure pleasure of musical entertainment, from the outright silly to the romantically sincere.”
Vague Visages Is FilmStruck: Marianna Aloisio-Seale on Michael Powell and Emeric Pressburger’s ‘Black Narcissus’
“No matter the fantasy and clash of culture that swirls around ‘Black Narcissus,’ it is probably best that The Archers did not revisit Orientalist ideas, and that they stuck to what they knew best — the human interest and depths of United Kingdom and European issues.”
Vague Visages Is FilmStruck: Sara Clements on Agnès Varda’s ‘Cléo from 5 to 7’
“The first word that comes to mind when describing ‘Cléo from 5 to 7’ is escapism. Not only is it an escape for the audience, with Agnès Varda’s documentary style taking viewers on a tour of one of Paris’ many districts, but it explores the title character’s need to break free.”
Vague Visages Is Filmstruck: Evan Amaral on Jean Rouch and Edgar Morin’s ‘Chronicle of a Summer’
“If cinema and the internet age have taught us anything, it’s that an explicit truth does not exist. We all perform for a number of lenses, whether they be a film camera or a Twitter account.”
Vague Visages Is FilmStruck: Jeremy Carr on Francesco Rosi’s ‘Salvatore Giuliano’
“Some may decry Rosi’s sustained objectivity, failing to appreciate that depiction does not equal declaration or endorsement. But with that, there is in ‘Salvatore Giuliano’ a valuable sociopolitical insight…”
Vague Visages Is FilmStruck: Ciara Pitts on John Sayles’ ‘Lianna’
“Sayles’ wonderful gem might not receive the attention it deserves — even in the realm of LGBTQ cinema — but it contains a message that undoubtedly resonates today: no one needs to apologize for who they love.”