“‘Greed’ is like the gold within the soil, a gem that must be mined from its sullied context.”
Jeremy Carr is a faculty associate at Arizona State University and a visiting research fellow with the ASU Center for Film, Media and Popular Culture. He has written for the publications Cineaste, Film International, CineAction, Senses of Cinema, MUBI’s Notebook, PopOptiq, Bright Lights Film Journal, and The Moving Image. Current projects include Senses of Cinema Great Director profiles on John Cassavetes and Elia Kazan and a book on Stanley Kubrick.
“Bergman’s cinema had entered a phase of pronounced maturity.”
“Communication — or the lack thereof — is key to ‘Black Moon.’”
“It is, quite simply, one of the most engaging and most charming movies ever made.”
“In both ‘T-Men’ and ‘Raw Deal,’ Alton and Mann take what is already a heightened genre and somehow intensify its formal qualities.”
“Fellini’s films often flourished with acute ruminations on life and society, but rarely would his work achieve this degree of pure emotion.”
“The film goes beyond strict and narrow generic classification and touches upon something universal, something profound about undying affection and the unreliability of reality.”