Why Criticism: Chasing Restorations, from Wong Kar-Wai to Wonder Woman
“The total dominance of our digital cinema platforms has forced cinephiles to reckon with their own assumptions and understanding of the medium.”
Why Criticism: A Guide to Making Up Your Own Mind
“Film criticism is so vital not because it’s a service, but because it’s a tool — a way for each person to arrive at the final word on each film they see from the critic that matters most: themselves.”
Why Criticism: Film as a Business First
“Film criticism unable to confront film’s relationship to business is destined to fail and will continue to reproduce the same tired critiques of cinema.”
Why Criticism: Against Nostalgia
“More than ever, it is crucial to contemplate what this nostalgia phenomenon means for the future of the arts and our discomfort with the new. Will there be a ‘new’ in the new world?”
Why Criticism: Dismantling the Boys’ Club in Horror
“The main reason I write about horror movies, aside from having a deep and abiding love for them, is that I have a perspective unique to me. But, for certain men, that’s not enough.”
Why Criticism: Nichols / Soderbergh
“In their conversations, Soderbergh and Nichols work together to dismantle the artificial dividing line between art and criticism, neatly moving between the two…”
Why Criticism: Brian De Palma and Film as Film Criticism
“If the point of criticism is to bring the reader closer to the artwork, then Schrader’s reviews of other films are as important as his own to understanding his perspective.”
Why Criticism: Not Quite the Apocalypse
“In Australia, our cinematic art has been trying to shake us from apathy for 50 years.”
Why Criticism: The Race to Problematize Bittersweet Horror Endings
“In order to fully engage with horror films, it’s important to look at the monster and the world that’s being upended by that monster.”
Why Criticism: Mediocrity as a Catalyst at Berlinale 2020
“We are all mediocre writers when we start, and we must engage with others’ mediocrity throughout our careers. But we must engage with it level-headedly, picking out the good from the bad and making those distinctions to the best of our ability.”