“‘Raging Bull’ — a complex character study about methods and codes of conduct — all too often gets reductively tagged as Martin’s Scorsese’s toxic masculinity sports movie that allowed Robert De Niro to lose (and gain) weight in pursuit of an Oscar.”
“In Caravaggio and Scorsese’s art, the silent actions of male and female characters speak louder than words. We don’t need to hear Holofernes scream to understand what Judith has taken.”
“More than ever, it’s crucial to be more cognizant about the complexities of social situations, certainly when speaking to, or speaking about, people with disabilities.”
“‘Transference’ feels like a 13-and-under science fiction-themed board game. The pieces are clearly labeled, the color design fits the genre premise and the directions are confusing.”
“By addressing the dark realities of show business, ‘Cabaret Maxime’ spotlights the beauty of unconditional artistic love – for an individual creative pursuit, and for a shared belief system amongst peers.”
“‘The Wave’ spotlights the proverbial writing on the wall for its most flawed characters, but also makes sure to settle on the base-level humanity of others. The result is an affecting and forward-thinking film that pinpoints what it means to be self-aware.”
Vague Visages Live Watch: Jean-Luc Godard’s ‘À bout de souffle’ on Criterion Channel
“Based on ‘Oui mais non’ and ‘S.D.R.,’ Dubé seems fully capable of tackling various genres, and taking the medium forward into the future.”
“‘She Who Wears the Rain’ shows how lucid dreaming engagement can help people cope with mental health issues.”
“‘Entangled’ feels like a clunky ‘Love in New York’ story during the first hour, but ultimately transforms into a moving tale about self-love and acceptance.”