Review: Janus Metz’s ‘Borg vs McEnroe’
“‘Borg vs McEnroe’ loses momentum during its tennis sequences, but that’s just a minor complaint. Advantage LaBeouf.”
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Q.V. Hough
‘Gomorrah’ Filmmakers Cast Dane DeHaan for Roberto Saviano Adaptation ‘ZeroZeroZero’
Vague Visages News: Q.V. Hough on Amazon’s New Series ‘ZeroZeroZero’
Daveed Diggs Ubers Hard in ‘Blindspotting’ Trailer
Vague Visages News: Q.V. Hough on the ‘Blindspotting’ Trailer
Let the Right Light In: On Escapism, Coping Mechanisms and Master Projections in Paul Thomas Anderson’s ‘The Master’
“The processing conversation is perhaps the most telling sequence of all, as Quell submits to The Master — the Master Projection — and acknowledges his own self-deception.”
The Bees Won’t Sting: On Celebrity Adoration, Hollywood Misdirection and Paul Thomas Anderson’s ‘Boogie Nights’
“At some point, you’ve got to take down the celebrity posters, or at least reassess what they represent.”
Photo Essay: ‘Campaign Trail 2016 / Bill Clinton in Fargo’ by Q.V. Hough
“Welcome to Fargo, Bill. No security, no problem.”
Netflix from 5 to 6: Reed Morano’s ‘Meadowland’
“With ‘Meadowland,’ Reed Morano doesn’t shy away from pain, and neither should Netflix viewers.”
Vague Visages Short Stories: Bleeding and Breathing Deeply by Q.V. Hough
Vague Visages Short Stories #7: Bleeding and Breathing Deeply by Q.V. Hough (Fargo, North Dakota)
Sunday Spaghetti: Tonino Valerii’s ‘Day of Anger (I giorni dell’ira)’
“‘Day of Anger’ is a tightly-structured film about societal influencers and people on the fringe that need somebody in their corner.”
Review: Fabrice Du Welz’s ‘Message from the King’ (Netflix Original)
“For the most part, ‘Message from the King’ doesn’t mess around.”