Photo Essay: ‘Campaign Trail 2016 / Bill Clinton in Fargo’ by Q.V. Hough
“Welcome to Fargo, Bill. No security, no problem.”
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Q.V. Hough
Netflix from 5 to 6: Reed Morano’s ‘Meadowland’
“With ‘Meadowland,’ Reed Morano doesn’t shy away from pain, and neither should Netflix viewers.”
Vague Visages Short Stories: Bleeding and Breathing Deeply by Q.V. Hough
Vague Visages Short Stories #7: Bleeding and Breathing Deeply by Q.V. Hough (Fargo, North Dakota)
Sunday Spaghetti: Tonino Valerii’s ‘Day of Anger (I giorni dell’ira)’
“‘Day of Anger’ is a tightly-structured film about societal influencers and people on the fringe that need somebody in their corner.”
Review: Fabrice Du Welz’s ‘Message from the King’ (Netflix Original)
“For the most part, ‘Message from the King’ doesn’t mess around.”
Hopes and Fears in Helsinki: Pirjo Honkasalo’s ‘Concrete Night’
“The harsh dialogue may not connect, but the visuals most certainly will.”
Photo Essay: ‘Fargo-Moorhead St. Patrick’s Parade 2017’ by Q.V. Hough
“When I moved back to Fargo, I began thinking more about visual themes, which ultimately inspired Vague Visages.”
Photo Essay: ‘Back on the Boulevard’ by Q.V. Hough
August 2016
Vague Visages Is FilmStruck: Q.V. Hough on Federico Fellini’s ‘8 1/2′
“The moments of realization transcend the typical viewing experience.”
Review: Esteban Crespo’s ‘Amar’
“‘Amar’ is passionate without being pretentious.”