The Voicemails for Isabelle soundtrack includes music by Robyn, Taylor Swift and Benson Boone. This info article contains spoilers and song details for Leah McKendrick’s 2026 Netflix movie. Check out Vague Visages’ Soundtracks of Cinema category for more soundtrack song listings.

Voicemails for Isabelle stars Zoey Deutch as Jill, a San Francisco-based chef who grieves her late sister. Nick Robinson co-stars as Wes, a real estate agent from Houston, Texas. The storyline follows the main protagonists as they fall in love while one of them hides a secret. Composer Este Haim (Anyone But You) and Amanda Yamate (Do Revenge) scored the 118-minute Netflix film; music supervisor Season Kent (People We Meet on Vacation) selected the featured needle-drops. Here’s every song in Voicemails for Isabelle.

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Voicemails for Isabelle Soundtrack: Every Song in the 2026 Netflix Movie

• “Dancing on My Own” by Robyn (00:00:00): The Voicemails for Isabelle soundtrack song scores the opening sequence. Young Jill (Alice Comer) and Young Isabelle (Iris Everly) have fun together. The track plays again at 00:04:00 and scores the film’s final moments at 01:48:00.
• “Almost Happy” by LACES (00:06:00): Jill wakes up in her bedroom. The Voicemails for Isabelle music continues as she prepares breakfast. Jill travels on a bus and wears a green jacket.
• “To Build a Home” by The Cinematic Orchestra (00:13:00): Jill learns that Isabelle passed away. She breaks down at a hospital. The music is featured again at 01:40:00.
• “Walking At a Downtown Pace” by Parquet Courts (00:23:00): Jill finishes a confrontational conversation with Arthur (Lukas Gage). The Voicemails for Isabelle soundtrack song continues during a transition sequence. Wes exits an elevator and takes of his sunglasses.
• “Hey Daddy (Daddy’s Home)” by Usher (00:31:00): Tyler (Toby Sandeman) chats with Jill. He talks about taking her to England. The Voicemails for Isabelle music scores a slo-mo sequence as Jill daydreams about Tyler.
• “Electric Love” by BØRNS (00:40:00): Jill and Wes have a phone conversation. A transition sequence begins. Jill arrives at a live podcast event featuring Tyler.
• “Boys Wanna Be Her” by Peaches (00:42:00): Jill confronts Tyler at a live podcast event. The Voicemails for Isabelle soundtrack song continues as she walks out. The track is featured again at 01:21:00.
• “Marjorie” by Taylor Swift, Aaron Dessner (00:44:00): Jill sits on a bench and leaves a voicemail on her late sister’s phone. She fantasizes about someone sitting next to her. Wes shows up during a transition sequence.
• “Something Like This” by Cil (00:53:00): Wes dines with Jill. He jokes about being “girl sober.” Jill and Wes explore San Francisco together on a tour bus.
• “San Francisco Blues” by Peggy Lee (00:58:00): A tour bus sequence continues. Wes takes over for a guide. The Voicemails for Isabelle soundtrack song continues during a montage sequence.
• “I Left My Heart In San Francisco” by Tony Bennett (00:59:00): A tour bus sequence continues. Wes gets caught pretending to be a tour guide. He briefly sings the tune.
• “Either Way I Lose” by MeShell Ndegeocello (01:00:00): Jill prepares a meal for Wes at her home. The Voicemails for Isabelle music plays from a speaker system. Jill talks about her upbringing.
• “Cherish You” by Mikky Ekko (01:03:00): Wes comforts Jill in her kitchen. The Voicemails for Isabelle soundtrack song continues as he touches her shoulders. Jill and Wes almost have sex.
• “Waking Up Slow (Piano Version)” by Gabrielle Aplin (01:06:00): Wes looks at Jill as she sleeps. He carries her to a bedroom. Jill wakes up in the morning and lies next to Wes on a sofa.
• “Beige” by Yoke Lore (01:11:00): The Voicemails for Isabelle music is featured during an exterior sequence. Andy (Harry Shum Jr.) prepares to marry Breeda (Leah McKendrick). Wes serves as the best man.
• “Ride the Storm” by Goldford (01:14:00): Jill talks to Wes at a wedding reception. The Voicemails for Isabelle soundtrack song plays from the speaker system. Wes puts his jacket on Jill.
• “Show Me Love” by Robyn (01:27:00): Jill receives a check from her parents (Tanis Dolman as Mom, Gil Bellows as Dad). A transition sequence begins. Jill starts a food truck business.
• “Lights” by Donna Missal (01:31:00): A Hippie Hill sequence begins. A musician performs live. Jill stands outside her food truck.
• “New Years Day” by Taylor Swift (01:36:00): Felix (Chirag Naik) tells Wes to call Jill. The Voicemails for Isabelle soundtrack song continues during a transition sequence. Wes leaves a voicemail for Jill.
• “Beautiful Things” by Benson Boone (01:43:00): Andy and Breeda tell Wes to “run.” A transition sequence begins. Wes reunites with Jill at a restaurant.
• “New Touch” by Caveboy (01:46:00): An exterior sequence begins. Jill operates her food truck with Zella (Megan Danso). Wes waves at Jill.

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The Voicemails for Isabelle soundtrack also includes:

• “Joyride” by Kesha
• “Once Upon a Time Man” by Avery
• “El Cielo Azul” by Francisco Cendejas, Mirna Orozco
• “De Primeras Veces” by Ceshia Ubau
• “And I See You Now” by Matthew Szlachetka
• “Look What You Made Me Do” by Taylor Swift, Jack Antonoff, Richard Fairbrass, Fred Fairbrass, Rob Manzoli
• “I’m Waiting Now” by New Constellations

Q.V. Hough (@QVHough) is Vague Visages’ founding editor.