Hyperreal Film Club Review – ‘SHARP: Moving Picture II’
“This cavalcade of ambitious eccentricities and diasporic dreamers isn’t after your validation, nor should it be considered “main character energy.”
Soundtracks of Cinema: ‘Office Romance’
‘Office Romance’ Soundtrack: A Vague Visages guide for every song in Ol Parker’s 2026 Netflix movie.
An Interview with ‘Mayilaa’ Filmmaker Semmalar Annam
‘Mayilaa’ Interview: Dipankar Sarkar discusses the 2026 movie with filmmaker Semmalar Annam.
Know the Cast: ‘Office Romance’
‘Office Romance’ Cast: A Vague Visages guide for every actor and character in Ol Parker’s 2026 Netflix film.
Building the New Queer Canon #11: Reinventing the Modern Love Story with Pierre le Gall’s ‘Flesh and Fuel’
“‘Flesh and Fuel’ has an inherent romanticism which transforms le Gall’s 2026 film into a tear-jerking crowd pleaser instead of a political commentary first and foremost…”
Soundtracks of Cinema: ‘Ladies First’
‘Ladies First’ Soundtrack: A Vague Visages guide for every song in Thea Sharrock’s 2026 Netflix movie.
Review: John Carney’s ‘Power Ballad’
“‘Power Ballad’ is an authentic crowd pleaser that the movie’s in-universe hit single could never be.”
Review: Daniel Roher’s ‘Tuner’
“The most damning thing about ‘Tuner’ is that it feels like a very deliberate attempt to make a festival-friendly “calling card” movie…”
Know the Cast: ‘Ladies First’
‘Ladies First’ Cast: A Vague Visages guide for every actor and character in Thea Sharrock’s 2026 Netflix movie.
Know the Cast: ‘Remarkably Bright Creatures’
‘Remarkably Bright Creatures’ Cast: A Vague Visages guide for every actor and character in Olivia Newman’s 2026 Netflix movie.
Review: Natalie Erika James’ ‘Saccharine’
“‘Saccharine’ is an effective queer love story and a surprisingly moving tale of female friendship surviving against increasingly insurmountable odds. Let women be gross!”
Review: Curry Barker’s ‘Obsession’
“‘Obsession’ refuses to underestimate the emotional intelligence of the audience and refrains from spoon-feeding viewers monologues about abuse and trauma.”
Review: Damian McCarthy’s ‘Hokum’
“‘Hokum,’ much like ‘Caveat’ and ‘Oddity,’ is pure nightmare fuel. But there’s a small tinge of hope — a suggestion that forgiveness is possible — that differentiates it from McCarthy’s previous movies.”
Know the Cast: ‘There’s Something About Mary’
‘There’s Something About Mary’ Cast: A Vague Visages guide for every actor and character in Bobby Farrelly and Peter Farrelly’s 1998 movie.
Know the Cast: ‘Send Help’
‘Send Help’ Cast: A Vague Visages guide for every actor and character in Sam Raimi’s 2026 movie.
Soundtracks of Cinema: ‘There’s Something About Mary’
‘There’s Something About Mary’ Soundtrack: A Vague Visages guide for every song in Bobby Farrelly and Peter Farrelly’s 1998 movie.
Soundtracks of Cinema: ‘Send Help’
‘Send Help’ Soundtrack: A Vague Visages guide for every song in Sam Raimi’s 2026 movie.
Building the New Queer Canon #10: Elliot Tuttle’s ‘Blue Film’ and Tackling Society’s Ultimate Taboo
“‘Blue Film’ is one of the more morally challenging films of recent memory, daring the audience to find empathy for a man who has desires he can’t fully atone for…”
An Interview with ‘Gondhal’ Filmmaker Santosh Davakhar
‘Gondhal’ Interview: Dipankar Sarkar discusses the 2025 movie with filmmaker Santosh Davakhar.
Soundtracks of Cinema: ‘Mindcage’
‘Mindcage’ Soundtrack: A Vague Visages guide for every song in Mauro Borrelli’s 2022 movie.