Review: Nicholas Brennan’s ‘Los Ultimos Frikis’
“Nicholas Brennan’s film makes a hugely convincing argument for following your dreams at all costs.”
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Joey Keogh
Locarno Film Festival Review: Tyler Taormina’s ‘Ham on Rye’
“‘Ham on Rye’ has an inescapably student film-y vibe, a bit like a wannabe Richard Linklater joint but without any of the ambition, grit or intelligence.”
VOD Review: Jason B. Kohl’s ‘New Money’
“The questions ‘New Money’ poses are numerous and mostly left unanswered. The film is scattershot at times and tonally inconsistent throughout, flirting with elements of a crime thriller and a goofy comedy.”
Review: Nahnatchka Khan’s ‘Always Be My Maybe’
“The rom-com isn’t dead. It was simply evolving into something more interesting, more modern and more accepting.”
It’s Cool to Be Kind: ‘Mean Girls’ at 15
“‘Mean Girls’ might be a teenager itself now, but the movie’s popularity continues to grow as a whole new generation falls in love with its cast of crazy characters, messages of inclusion and impressively high joke rate.”
Everything But the Beak and Feet: ’10 Things I Hate About You’ at 20
“‘10 Things I Hate About You’ has that slap-you-in-the-face energy. Wake up, it shouts, teen movies can be smart, empowering, entertaining and funny all at once. And they really don’t get much better than this.”
Review: A.T. White’s ‘Starfish’
“This is a moody, thoughtful and impressively weird debut feature from White.”
IFFR 2019 Bright Future Review: Miko Revereza’s ‘No Data Plan’
“‘No Data Plan’ is a story for our times. More importantly, it’s a snapshot of a way of life that’s already become commonplace for untold numbers of people in the U.S. and worldwide.”
Review: Jonas Åkerlund’s ‘Lords of Chaos’
“‘Lords of Chaos’ is a nasty little treat: compelling, involving, fascinating and often shocking.”
Hell Hath No Fury: How Women Dominated Horror in 2018
“The future of horror isn’t female, it’s the present. And it’s about bloody time.”
