“‘Blood Relatives’ is constantly in conversation with past vampire works without feeling the need to signpost its references. Segan is confident in the material, both onscreen and off.”
“‘Deadstream’ is an inventive, unpredictable and hugely charming found footage horror film, but it’s also a clever indictment of internet culture with a gripping, vanity-free lead performance from its co-writer/director.”
‘The Twin’ Soundtrack: A Vague Visages guide for every featured song in Taneli Mustonen’s 2022 Shudder movie.
‘Hellbender’ Cast: A Vague Visages guide for every main performer and character in the 2021 Adams Family movie.
“With ‘Dead & Beautiful,’ Verbeek foreshadows the inevitable clash between the progressive leaders of tomorrow and conservative vampires who seek blood. As new generations of wealth emerge, will the enlightened prioritize reality over their personas?”
‘Dead & Beautiful’ Cast: A Vague Visages guide for every main performer and character in David Verbeek’s 2021 Shudder movie.
‘V/H/S/94’ Cast: A Vague Visages guide for every main performer and character in Shudder’s 2021 anthology movie.
‘Seance’ Cast: A Vague Visages guide for every main performer and character in Simon Barrett’s 2021 Shudder movie.
‘Jakob’s Wife’: A Vague Visages cast and character guide for Travis Stevens’ 2021 movie.
Joey Keogh Interviews ‘Lucky’ Director Natasha Kermani
“Bustillo and Maury are masters of the slow build, and so it goes in ‘Kandisha,’ which becomes incrementally nastier and gorier with each new victim the vengeful spirit eliminates…”
“‘Fried Barry’ is busy and overstuffed, but it’s also an incredibly promising and deeply weird reinvention of the body invasion thriller; a strange, disorienting and ultimately rewarding experience.”
Joey Keogh Interviews ‘The Mortuary Collection’ Writer-Director Ryan Spindell
Joey Keogh Interviews ‘The Mortuary Collection’ Actor Clancy Brown
“Making a gothic horror story about the creation of a gothic horror story is a worthy and potentially enlightening idea, but Unkel fumbles the ball at every turn with ‘A Nightmare Wakes.'”
“‘Anything for Jackson’ is a perfect example of wasted potential, as the film contains some solid elements that Dyck fails to build upon.”
“Spindell pays homage to many horror productions, yet his film is its own uniquely strange, inventive, entertaining and frequently frightening little monster.”
“‘Lucky’ is a rallying cry for women everywhere to fight back, to keep speaking up and to go it alone when all else fails.”
“Indonesian horror has been gradually finding its feet over the past few years, and ‘Impetigore’ shows that we’ve barely even scratched the surface.”
“‘The Beach House’ signals an exciting new star in horror.”