V/H/S/94 Cast: A Vague Visages guide for every main performer and character in Shudder’s 2021 anthology movie.
Seance Cast: A Vague Visages guide for every main performer and character in Simon Barrett’s 2021 Shudder movie.
‘Jakob’s Wife’: A Vague Visages cast and character guide for the 2021 horror movie.
Joey Keogh Interviews ‘Lucky’ Director Natasha Kermani
“Bustillo and Maury are masters of the slow build, and so it goes in ‘Kandisha,’ which becomes incrementally nastier and gorier with each new victim the vengeful spirit eliminates…”
“‘Fried Barry’ is busy and overstuffed, but it’s also an incredibly promising and deeply weird reinvention of the body invasion thriller; a strange, disorienting and ultimately rewarding experience.”
Joey Keogh Interviews ‘The Mortuary Collection’ Writer-Director Ryan Spindell
Joey Keogh Interviews ‘The Mortuary Collection’ Actor Clancy Brown
“Making a gothic horror story about the creation of a gothic horror story is a worthy and potentially enlightening idea, but Unkel fumbles the ball at every turn with ‘A Nightmare Wakes.'”
“‘Anything for Jackson’ is a perfect example of wasted potential, as the film contains some solid elements that Dyck fails to build upon.”
“Spindell pays homage to many horror productions, yet his film is its own uniquely strange, inventive, entertaining and frequently frightening little monster.”
“‘Lucky’ is a rallying cry for women everywhere to fight back, to keep speaking up and to go it alone when all else fails.”
“Indonesian horror has been gradually finding its feet over the past few years, and ‘Impetigore’ shows that we’ve barely even scratched the surface.”
“‘The Beach House’ signals an exciting new star in horror.”
“As a genre exercise, ‘Z’ shows promise for what Christensen might do with a higher budget.”
“Politically motivated but never preachy — and loaded with enough blood, guts, and intestines to satisfy even the thirstiest gore-hounds — ‘Blood Quantum’ is a zombie movie for the ages that honors the grandest traditions of the genre while remaining true to its own unique essence.”
“‘Scare Me’ takes a while to get going, awkwardly finding its footing through its opening scenes, but when it settles into the long night of storytelling in the cabin, Ruben’s debut feature becomes a total delight.”
“Fargeat is almost saying, ‘well, if you want to look at her, you must look at her no matter her condition.’ It is a grotesque way of calling out the male gaze, but it is an effective one.”
“‘Revenge’ is not quietly revolutionary. It makes its message quite clear. Loud, brash, neon-colored and shot like a music video, the flick is unabashedly cool.”