“Roger Ebert once wrote ‘it’s not what a film is about, it’s how it is about it,’ and it’s this phrase that I usually return to when thinking about cinema that deals with humanity’s worst impulses.”
“Many of us may miss the drama of awards season, but there are untold benefits to criticism if it continues to evolve away from its current state.”
“DCA is a vital part of Scotland’s cultural landscape, and arguably a nucleation point for the city’s burgeoning renaissance.”
“The total dominance of our digital cinema platforms has forced cinephiles to reckon with their own assumptions and understanding of the medium.”
“Like any cinema, the Safari brought people together to dream in the dark.”
“Nothing presented in ‘The Nest’ will radically alter the viewer’s perception of the family unit, marriage or even greed, but Durkin’s film suggests that is indeed the point.”
“If the cinema was responsible for so many happy childhood memories, how could I continue to embrace reminiscing when it was equally responsible for the soul-crushing tedium of a public-facing retail job?”
“Film criticism is so vital not because it’s a service, but because it’s a tool — a way for each person to arrive at the final word on each film they see from the critic that matters most: themselves.”
“‘Memories of Underdevelopment’ shares with ‘Pixote’ a cautious destabilization, a sense of how long can this last, of tipping points, radical reform and the capricious aftermath.”
“Film criticism unable to confront film’s relationship to business is destined to fail and will continue to reproduce the same tired critiques of cinema.”