“Hittman’s third feature continues to demonstrate the talents, sensibilities and cinematic evolution of a first-rate writer-director…”
“‘The Lawyer’ doesn’t fully grapple with its weighty white saviour theme, and ends up becoming as simplified as what it was setting out to subvert.”
“It’s not difficult to see how PlayTime’s jubilant finale — with its invocation to fashion the city to its occupants’ sense of fun, desires and needs — is perhaps Tati’s most profound statement of his participatory cinema.”
“The female gaze is strong here, lovingly capturing Cassidy’s delicate, open features particularly when they begin twisting into something resembling anger…”
“‘The Magic Christian’ cries out to be re-visited. For all the cultural specificity of the novel and film, Grand remains a strikingly modern figure.”
“‘Making Waves: The Art of Cinematic Sound’ often turns its ears to previously unheard nooks and crannies that will light a fire in the next generation of world-class film artists.”
“Many pop artists, both past and present, take cinema as inspiration in crafting their sound, but few modern performers have created music videos that are as truly distinctive and influential as The Weeknd’s collective videography.”
“‘The Truth’ is best viewed as a watered down (but often quite enjoyable) riff on many of Assayas’ recurrent thematic obsessions.”
“‘Transference’ feels like a 13-and-under science fiction-themed board game. The pieces are clearly labeled, the color design fits the genre premise and the directions are confusing.”
“The lack of resolution inherent in the source material sets up an insurmountable task: the solution to the central crime and mystery that puts this particular story in motion.”
