“‘Out of Sight, Out of Mind’ finds a solidly affecting balance of lightheartedness, satire and true, resonant emotion in its final 20 minutes…”
Yoana Pavlova Interviews ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
“For Paul Schrader, First Reformed’s visual style realizes ideas of transcendental style that he first theorized at the beginning of his career. But that style only works because it serves the story and character he crafted so carefully.”
“‘Happy Death Day 2U’ is a light sci-fi movie with the thinnest veneer of horror, and your enjoyment of the film will depend on your willingness to accept its geeky premise and nonexistent scare factor.”
“‘Director A.J. Eaton’s rock star biography ‘David Crosby: Remember My Name’ checks all the boxes of the lion-in-winter music documentary.”
“‘BlacKkKlansman,’ fairly or not, will be judged as Lee’s ‘comeback’ movie. He never really left, of course.”
“Rodriguez’s battle scenes and the performance capture acting of Rosa Salazar (Alita) are shining aspects of the film, but not enough to render it praiseworthy overall.”
“Garver doesn’t really provide more than an overview, but perhaps that will indeed bring new eyes to some great American writing.”
“A worthy tale of a pivotal figure, ‘Mr. Jones’ deserves consideration, even if it is to be met with confusion and scorn.”
“‘Monos’ is a powerhouse of mood and aesthetic, weaponising every element of the form in service of a nightmarish descent into hell in the vein of ‘Lord of the Flies’ or ‘Heart of Darkness.’”
