Vague Visages Is FilmStruck: Jeremy Carr on Pier Paolo Pasolini’s ‘Mamma Roma’
“The compassion Magnani and Pasolini elicit from this affectionate portrait is manifestly sympathetic — she just tries so hard.”
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Cannes Film Festival Review: Taylor Sheridan’s ‘Wind River’
“‘Wind River’ is a well crafted, but straightforward, thriller with an interesting setting and social context.”
The Bottom Line: Q.V. Hough, Jeremy Carr and Bill Arceneaux on ‘Cobra’
Vague Visages Chat Transcript
Cannes Film Festival Review: Roman Polanski’s ‘Based on a True Story’
“The title is, of course, a knowing joke. ‘Based on a True Story’ couldn’t be further from reality.”
Cannes Film Festival Review: Sergei Loznitsa’s ‘A Gentle Creature’
“Sergei Loznitsa goes for absurdist satire, but, unfortunately, the joke’s on him.”
Cannes Film Festival Review: Ben and Joshua Safdie’s ‘Good Time’
“‘Good Time’ plays like little more than a direct-to-video thriller.”
Interview with Eleanor Coppola, Director of ‘Paris Can Wait’
Interview by Marshall Shaffer
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