The Absurdity of Our World: Tom Ford’s ‘Nocturnal Animals’
“With great color, style and technique, Ford haunts the audience with the disappointments of our absurd world.”
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‘Fatal Attraction’ at 30
“Lyne does not believe in the ‘New Man.'”
Review: Matt Spicer’s ‘Ingrid Goes West’
“Unexplored potential aside, there is a deeper issue which casts ‘Ingrid Goes West,’ for me at least, in a pale rather than neon light.”
Review: Eliza Hittman’s ‘Beach Rats’
“Hittman has created a powerful, sensual film about identity, loss and the complicated space that often lies between desire and expectation.”
Obsession and Compulsion: A Deep Look at ‘Single White Female’
“In ‘Single White Female,’ being fixated with a person’s looks, behavior and personality represents a fetishization of that person as a whole.”
‘Rampart’: A Season in the Abyss
“‘Rampart’ can never step out of the shadows.”
Album Review: Frankie Rose ‘Cage Tropical’
“The transformation of 1980s synth pop from a frequently mocked fad into a respectable modern genre has been glorious to behold.”