Miranda July Mints ‘Kajillionaire’
“Never weird for the sake of weird, July’s movies are perfectly prismatic, refracting facets of recognizable life experiences through the singularity and peculiarity of her vision.”
Unpacking the Red Rooms of Horror
“The Red Room is something to conquer or contend with, just like the monsters of the real world.”
Review: Luis Iga’s ‘Murder in the Woods’
“‘Murder in the Woods’ is a slight but entertaining offering, sold completely and committedly by a talented cast of fresh, new faces and with a bonus appearance by the always-welcome Danny Trejo to boot.”
How ‘Showgirls’ Takes Busby Berkeley to the City of Sin
“Where Berkeley uses excess as a contrast to the real world, Verhoeven uses it as a magnifying glass.”
Open Spaces, Solid Foundations: ‘The American Sector’ and ‘The Building’ at Open City Documentary Festival
“While ‘The American Sector’ outstays its welcome, I’m not sure if ‘The Building’ wants to be invited in to begin with.”
‘She Dies Tomorrow’: Amy Seimetz Contemplates the End
“Even though Seimetz’s ‘ideological contagion’ might have its roots in coping strategies for depression and a range of mental health issues, the director works wonders by imagining how one might react upon learning about their imminent death.”
Formative: Zomby ‘One Foot Ahead of the Other’ (2009)
“Zomby’s tracks were more exciting when plugged straight into my head. His music enlightened me to how euphoric and pleasurable 8-bit sounds can be, especially when they are used not for kicks, but to project melancholy and strangeness.”
Review: Sidharth Srinivasan’s ‘Kriya’
“Unfortunately, Kriya’s script is the weakest link. Much of the dialogue sounds like it was lifted straight from a soap opera, and the film occasionally veers into melodrama, which isn’t particularly becoming for a folk horror film set almost entirely in a single location.”
The Private Month: A New Generation of NYU Filmmakers Creatively Address the COVID-19 Pandemic
“For the next generation of filmmakers, documenting these strange times has just begun, and, thankfully, it’s going to be a physically distant but socially collaborative enterprise.”
An Interview With ‘Tales from Our Childhood’ Director Mukul Haloi
Dipankar Sarkar Interviews ‘Tales from Our Childhood’ Director Mukul Haloi