“By the final act, Ferrara has presented both the man and the legend, but can’t seem to decide which version he wants the audience to remember.”
“The Kitchen fares so much better when read as a kind of self-aware meta-narrative of the gangster film, and an examination of Berloff’s construction of the men is one argument for why this rare, female-helmed genre piece deserves a second look.”
“Refusing to look down on their characters, Kazakova and Mileva effectively portray disillusion by relying on familiarity and recognition to bring the marginalised closer.”
“‘Parents – Wir Eltern’ is an imminently likeable movie, but frustrating for the insurmountable reach of its ambition.”
“‘District 9’ might not be a classic like ‘Alien’ or ‘The Terminator’ (not many films are), but it’s still an effective sci-fi film with depth and style.”
“While some metaphors seem rather self-explanatory, Fukada effectively develops a multifaceted character by transforming Ichiko from a collateral victim into an accomplice. ‘A Girl Missing’ highlights the importance of knowing when to speak up and when to stay silent.”
“‘Ham on Rye’ has an inescapably student film-y vibe, a bit like a wannabe Richard Linklater joint but without any of the ambition, grit or intelligence.”
“‘The Hill’ charts a path forward for Lumet’s justice films, which increasingly depart from the idealism of ’12 Angry Men’ and reckon deeply with the justice system’s contradictory, irreconcilable principles.”
“Writer-director Lulu Wang finds inventive ways to freshen up the terminal cancer tale in ‘The Farewell,’ a worthwhile diversion to so much summer blockbuster fare.”
“A sense of restlessness began to be addressed tentatively, and was confronted with increasing boldness as the decade progressed. Battles were being waged on multiple fronts of this unacknowledged war, claims were being sought from historically neglected constituents.”
