“The affinity I have for Prince, and the things that I learned from his music — and continue to learn — is different than what my mum took away from it decades earlier; the music, and the connection we share with it, is something I find myself returning to regularly.”
“‘Express’ felt like music that was made FOR ME — not my parents, and certainly not the other teenagers I knew who liked music that seemed boring and soulless.”
“The strength of ‘Side A’ is the acceptance of its limitations — now is perhaps not the time for rock bands to reinvent the wheel, but instead to provide some kind of solace, support or guidance.”
“Aviva and Eden’s dances — together and apart — mobilize Yakin’s film, and function as bodily mirrors and emotional mirages; gain and loss, self and love.”
“Much of Babyteeth’s vitality can be located in the way each of the central characters is so fully realized.”
“While ‘The Black Cat’ does not share many explicit connections with Poe’s 1843 story, both texts use archetypal symbolism to explore painfully intimate experiences (in Poe’s case, addiction and mental disarray, and in Ulmer’s case, psychological trauma).”
“‘The Audition’ considers how we navigate the middle space between power and powerlessness, and Hoss’ performance, whether she’s yearning for affection or responsible for staggering brutality, is the film’s greatest asset.”
“What both Pacino and De Palma vividly convey throughout the film is that there’s absolutely nothing dubious or spurious about Carlito’s conviction in his ability to evolve.”
“Taken as a whole, ‘KiCk i’ is a delirious tour-de-force, a compilation of experiments that don’t fully cohere but still build up to an intriguing final image.”
“HBO has come a long way in representing the intersectionality of race and gender.”