Review: Ridley Scott’s ‘Napoleon’
“‘Napoleon’ is very much a repudiation and a revolt against history’s ‘Great Men.'”
“‘Napoleon’ is very much a repudiation and a revolt against history’s ‘Great Men.'”
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“‘Black White and the Greys’ isn’t defined by its political dialogue, but rather by its handling of the human condition. And it’s arguably one of the best COVID-themed movie productions since the similarly minimalist ‘Host’ (Shudder, 2020).”
“Ultimately, ‘The Killer’ is just a fun, pulpy romp that is more akin to the plug-and-play adventures of I.O. Interactive’s ‘Hitman’ series than a profound statement on the culture at large.”
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“‘It’s a Wonderful Knife’ is watchable but slight. And considering how popular Hallmark Christmas movies continue to be, maybe that’s all horror fans will really expect.”
“‘Red Rooms’ provides a perfect recipe for isolation and alienation, encouraged by a media world around us that seeks only to capture attention and never thoughts.”
‘A Match’ Interview: Dipankar Sarkar discusses the 2023 film with director Jayant Digambar Somalkar.
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“‘The End We Start From’ falls short of being a meaningful observation on the perils of climate injustice, but the film succeeds as an embodiment of maternal commitment, largely due to Comer’s wonderfully present performance.”
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“Stolevski’s work has air and breath to it, like someone in love with the energy of simply creating.”
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“‘The New Boy’ is a film of deep, mystical qualities, and I can’t wait to revisit it.”
“‘All of Us Strangers’ is a film that becomes all the more haunting the further from it you get.”