At the Cinémathèque: ‘The Leopard’ (Luchino Visconti, 1963)
“Much of Luchino Visconti’s ‘The Leopard’ has a labored energy of theoretical dramaturgy.”
A Justine Peres Smith Series on Montreal’s Cinémathèque Québécoise
“Much of Luchino Visconti’s ‘The Leopard’ has a labored energy of theoretical dramaturgy.”
A Justine A. Smith Series on Montreal’s Cinémathèque Québécoise
“Centered on a made-for-television film, ‘Passion’ blends the far reaches of Western art with the birth of new mediums.”
“In the forbidden, Oshima reveals the fear of our own meaninglessness and our inability to face death as a certainty.”
“A deeply affecting and personal vision, it’s an essential entry in the history of eroticism in Canadian cinema.”
“As formally challenging as ‘The Pillow Book’ may be, it romantically creates a love affair unbound by its physical limits, connecting it to past and present through art and literature.”