‘Bruised’ Cast: A Vague Visages guide for every main performer and character in Halle Berry’s Netflix movie.
‘Bruised’ Soundtrack: A Vague Visages guide for every featured song in Halle Berry’s Netflix movie.
‘King Richard’ Cast: A Vague Visages guide for every main performer and character in Reinaldo Marcus Green’s 2021 movie.
‘King Richard’ Soundtrack: A Vague Visages guide for every featured song in Reinaldo Marcus Green’s 2021 movie.
What happened to Ron Artest after the events shown in ‘Untold: Malice at the Palace’? This free-to-read article provides an update on the Netflix documentary subject.
Mannhunting #3 by Bill Bria (‘Ali,’ ‘The Insider’ and ‘Collateral’)
Mannhunting #1 by Bill Bria: “The protagonists and antagonists in Mann’s films tend to be mirror images of each other, all of them caught within masculinity’s shackles.”
“‘You Cannot Kill David Arquette’ is an incredibly moving and life-affirming lesson in following your dreams at all costs.”
“‘Raging Bull’ — a complex character study about methods and codes of conduct — all too often gets reductively tagged as Martin’s Scorsese’s toxic masculinity sports movie that allowed Robert De Niro to lose (and gain) weight in pursuit of an Oscar.”
“For a story that engages with tough, thorny questions of redemption and reconciliation, it’s a welcome development to have a filmmaker look upwards, not inwards.”
“While ‘High Flying Bird’ may seem uneven at first glance, one has to appreciate that Soderbergh directly addresses controversial societal topics that always touch a nerve in America.”
“Fathers make sense when we can reduce them to symbols, but the actual business of parenting is so defined by ‘feminine’ qualities — emotional openness, compassion, gentleness, patience — that we often struggle to correlate them with a father figure.”
“Reflecting and refracting the ongoing conversations around everything from the salary inequity between male and female soccer players to the alleged child sex trafficking hellscape perpetuated by Jeffrey Epstein, ‘Maiden’ can be read as both time capsule and time bomb.”
“Looking back at a film like ‘Rocky IV,’ we can’t just say ‘wow, look how dumb we were back then’ because the simple truth is that we haven’t earned the right. We are still making the same mistakes, still falling for the same macho con.”