Review: Macon Blair’s ‘Idiots’
“With ‘Idiots,’ Blair cements himself as an up-and-coming provocateur. Moving forward, it’s best to let go of cinematic imitations to build the voices of today while always remaining uninhibited.”
Review: Kallol Mukherjee’s ‘Herland’
“‘Herland’ is less about emancipation achieved than emancipation practiced.”
Soundtracks of Cinema: ‘Backrooms’
‘Backrooms’ Soundtrack: A Vague Visages guide for every song in Kane Parsons’ 2026 movie.
Soundtracks of Cinema: ‘Don’t Say Good Luck’
‘Don’t Say Good Luck’ Soundtrack: A Vague Visages guide for every song in Julia Hart’s 2026 Netflix movie.
Review: Anmol Sidhu’s ‘Flowers of Acacia’
“‘Flowers of Acacia’ is unflinching in showing how humiliation can become ordinary… “
Soundtracks of Cinema: ‘The Last House’
‘The Last House’ Soundtrack: A Vague Visages guide for every song in Louis Leterrier’s 2026 Netflix movie.
Soundtracks of Cinema: ‘The Devil’s Mouth’
‘The Devil’s Mouth’ Soundtrack: A Vague Visages guide for every song in Jeff Wadlow’s 2026 Amazon movie.
An Interview with ‘Phera’ Filmmaker Pritha Chakraborty
‘Phera’ Interview: Dipankar Sarkar discusses the 2026 movie with director Pritha Chakraborty.
Know the Cast: ‘Don’t Say Good Luck’
‘Don’t Say Good Luck’ Cast: A Vague Visages guide for every actor and character in Julia Hart’s 2026 Netflix movie.
An Interview with ‘Noi Kotha’ Filmmaker Pankaj Borah
‘Noi Kotha’ Interview: Dipankar Sarkar discusses the 2025 movie with filmmaker Pankaj Borah.
Review: Destin Daniel Cretton’s ‘Spider-Man: Brand New Day’
“‘Spider-Man: Brand New Day’ thwips back into the hearts of Marvel enthusiasts, fanning the flames of both consumers and investors alike.”
Review: Eli Roth’s ‘Ice Cream Man’
“Eli Roth’s exercises in bad taste are always more tiresome than they are provocative, and his latest effort ‘Ice Cream Man’ is no different…”
Don’t Stop ’Til You Get Enough: ‘Rush Hour 2’ at 25
“With the exception of ‘Addams Family Values’ (1993), you’d be hard pressed to find a sequel that improves on the original film more successfully than ‘Rush Hour 2.'”
Review: Kiyoshi Kurosawa’s ‘The Samurai and the Prisoner’
“‘The Samurai and the Prisoner’ never subverts expectations, which is further proof that Kurosawa’s skill as a genre craftsman extends far beyond his horror comfort zone.”
Know the Cast: ‘Lucky’
‘Lucky’ Cast: A Vague Visages guide for every actor and character in Jonathan Tropper’s 2026 Apple TV miniseries.
Review: Christopher Nolan’s ‘The Odyssey’
“‘The Odyssey’ is indeed a fun action-adventure film, but die-hard Nolan fans may find themselves questioning the sustainability of generating such high-cost productions.”
The Joys of a Small Life: ‘Clerks II’ at 20
“The anti-mainstream tone of ‘Clerks II’ speaks to Smith paving his own way in Hollywood, even when everybody hates him for it.”
Review: Avalon Fast’s ‘Camp’
“‘Camp’ is ultimately much easier to admire than enjoy.”
Soundtracks of Cinema: ‘The Long Walk’
‘The Long Walk’ Soundtrack: A Vague Visages guide for every song in Francis Lawrence’s 2025 movie.
Know the Cast: ‘The Long Walk’
‘The Long Walk’ Cast: A Vague Visages guide for every actor and character in Francis Lawrence’s 2025 movie.