Crime Scene #4: ‘Amsterdamned’ – The City Is Always Sinking
“‘Amsterdamned’ can’t decide if it wants to embrace those who interact with the city or kill them, and this contradiction is part of the film’s slimy, schlocky charm.”
“‘Amsterdamned’ can’t decide if it wants to embrace those who interact with the city or kill them, and this contradiction is part of the film’s slimy, schlocky charm.”
“Melville’s Paris is a poetically insomniac version, one that I’m not sure ever really existed. The City of Light has been written about and filmed so much that one has long since forgotten what is real and what is urban legend.”
“In Mann’s world, the car and the computer seem to join forces to anonymize and obliterate the cost of human life outside of that space, enveloped in the fragmented, disintegrated aesthetic of early digital cinematography itself.”
“‘Pickup on South Street’ is perhaps the quintessential New York noir.”