“Its vibrating self-awareness, unwieldy traveling circus vibe and mind-bending movie-within-a-movie duality allow Welles to simultaneously mock and indulge in the critically celebrated, sexually-charged, Antonioni-style, European art film.”
“‘Velvet Buzzsaw’ is nicer to look at than a urinal signed ‘R. Mutt,’ but like Duchamp’s ‘Fountain,’ I won’t be rushing to see it again anytime soon.”
“How many movies have been lost or nearly lost to circumstances before a public release can provide closure for the anxious and expectant filmmaker?”
“The future of horror isn’t female, it’s the present. And it’s about bloody time.”
“The vibrant and explosive opening credits sequence sets the tone for an action-packed story that truly feels real and allows women to feel empowered.”
“To use a gaming term, it’s got replay value, but it might leave those looking for a cohesive, more-traditional narrative choosing a different path.”
“In a way, the Coens complete the arc of the film, tying it together cohesively, by suggesting that the arc is random, sometimes cruel, and sometimes meaningless.”
Zach Vasquez Interviews ‘Cam’ Filmmakers Isa Mazzei and Daniel Goldhaber
Zach Vasquez Interviews Filmmaker Don Coscarelli
“Times have changed — Time’s Up, in fact — so why try to redo, or outdo, something that still resonates a whopping 30 years after its release, something that still feels timely and relevant? Jughead can keep the coat. ‘Heathers’ lives on.”
