Glasgow Film Festival Review: Min-Ho Woo’s ‘The Man Standing Next’
“Both emotionally and narratively, ‘The Man Standing Next’ is an easy story to get lost in.”
“Both emotionally and narratively, ‘The Man Standing Next’ is an easy story to get lost in.”
Greg Carlson Interviews Director Dava Whisenant About Movie Collecting
“‘Raya and the Last Dragon’ welcomes a reflection on its Asian-fusion design because western adaptations of Asian culture, even with visible and vocal creative Asian input, will come with a spectrum of orientalism…”
“‘Reality fiction’ contours everything in ‘City Hall,’ from the microscopic level of scene transitions to the macroscopic level of entire sequences given deliberate framings…”
“Rather than using the violence itself as a punchline, ‘Voice of Silence’ builds a comedy of manners out of Chang-bok and his colleagues’ sensibilities.”
“For all the praise showered on Almodóvar’s later work, it lacks the wildness, freshness and exuberance of his 80s filmography, which often feels unfairly overlooked as a result.”
“The most powerful aspect of ‘Lost Course’ is how it portrays the struggle of the Wukan citizens as a general metaphor for political corruption and the futility of activism.”
Yoana Pavlova Interviews ‘Dad Made Dirty Movies’ Author-Director Jordan Todorov
“Jane Austen’s stories are already more pointed and complex than many people give them credit for, but two 2016 film adaptations took that caustic tone to new heights…”
“By spoiling God’s servants with sex, drugs and doubt, films like Almodóvar’s ‘Dark Habits’ show that earnestly criticising the Catholic Church’s crimes is not the only way to weaken centuries of unchecked supremacy.”