Sheer Heart Attack: Edgar Wright’s ‘Baby Driver’
“With ‘Baby Driver,’ Wright delivers a delightful, mid-summer cinematic treat.”
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‘Beyond the Lights’ and ‘Into the Forest’: Nina Simone as a Tool for Female Empowerment
“The female gaze, when expanded and reproduced through various media, can be a significant tool of empowerment for exploring and blending different artistic themes and forms.”
Review: David Lowery’s ‘A Ghost Story’
“For Lowery, cosmic-historic memory is the supernatural, and this is his translation of the myth. And it is woeful.”
Master of Mansplaining: Review – Geoffrey Orthwein and Andrew Sullivan’s ‘Bokeh’
“It’s ‘The Leftovers’ minus the chainsmokers, angry locals and cryptic dialogue.”
Spectatorship and the Camera: Sophie Hyde’s ’52 Tuesdays’
“With a masterful sense of direction, ’52 Tuesdays’ triumphs by turning the camera around to create a self-reflexive and unique film.”
Less Texting Graphics, More Visual Statements: Review – Brent Bonacorso’s ‘You Get Me’
“‘You Get Me’ is predictable and often frustrating, but the visuals leave a lasting impression.”
My Summer of Dunst: Volume 1
“Unlike former child stars Natalie Wood or Margaret O’Brien, Kirsten Dunst’s adolescent career is a state of becoming.”
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