An Interview with ‘Scam 1992’ Filmmaker Hansal Mehta
Dipankar Sarkar Interviews ‘Scam 1992’ Filmmaker Hansal Mehta
Review: Clea DuVall’s ‘Happiest Season’
“‘Happiest Season’ may not be the cozy, easy and festive rom-com that many were expecting, but for those looking for something more challenging, it’s a vital, moving and essential watch any time of year.”
Review: Lee Isaac Chung’s ‘Minari’
“‘Minari’ might be the best example to date of a film that understands the romantic appeal of a country that claims to pride itself on its immigrant population, and why millions of people worldwide still follow that ideal…”
Review: Keith Bearden’s ‘Antarctica’
“The cold numbness of ‘Antarctica’ perfectly encapsulates the constant physical and emotional hardship faced not just by the current teen generation, but girls in particular.”
Collecting Movies with Rob Dunkelberger
Greg Carlson Interviews Rob Dunkelberger About Collecting Movies
‘Bandit Queen’: The Callous World of Caste, Identity and Blood
“Despite being mired in controversy, ‘Bandit Queen’ is one of the finest films made in India that pushes the envelope of cinematic excellence.”
Album Review: The Bug Feat. Dis Fig ‘In Blue’
“Featuring impeccable production and sincere emotions, ‘In Blue’ is a rude reminder of Martin’s dedication to his sound, which is increasingly reflective and always genuine.”
Man with the Camera: Brian De Palma’s ‘The Black Dahlia’
“‘The Black Dahlia’ shows De Palma in a reflective mood, considering the impact cinema, especially his own, has had on the lives and suffering of women on screen.”
Exploring ‘Double Indemnity’ and the Problematic Feminism of Film Noir
“The representation of women in Film Noir is murky territory — in some ways progressive, in other ways deeply misogynistic — certainly when assessing Phyllis in ‘Double Indemnity.'”
Review: Petra Epperlein and Michael Tucker’s ‘The Meaning of Hitler’
“Some of the movie’s most intriguing scenes veer from their intended goal.”