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Vague Visages Is FilmStruck: Jeremy Carr on Sergei Eisenstein’s ‘Strike’

“As it’s applied to ‘Strike,’ Eisenstein’s methodology is generally simplified, with an occasional leaning toward crude hyperbole.”

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Diamonds on the Soles of Her Shoes: Fashioning the Love Triangle in ‘The Philadelphia Story’

“‘The Philadelphia Story’ situated itself at a turning point in 20th century history, between the destitution of the Great Depression and the destruction of World War II (along with the following boom). It’s in this moment, one of not knowing where America would end up next, that the film exists…”

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