“‘The Serpent’ fashions itself as a serial killer epic, but feels more like an uninspired Jacques Audiard knockoff that shows little interest in deconstructing the psychology of its subject.”
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Mannhunting #1 by Bill Bria: “The protagonists and antagonists in Mann’s films tend to be mirror images of each other, all of them caught within masculinity’s shackles.”
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“‘No Hard Feelings’ takes queerness as a given, capturing queer joy onscreen while never losing sight of the stark realities of migrants seeking refuge in a still highly xenophobic Europe.”
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“‘Hazaaron Khwaishein Aisi’ bears the unmistakable stamp of an artist at the very apogee of his creative prowess.”
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Greg Carlson Interviews Filmmaker Toby Jones About Movie Collecting
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“‘Shoplifters of the World’ seems more affectionate to 2000s conceptions of 1980s nostalgia than to the thing itself.”
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“‘All these books, all this magic, yeah, they have potential. But what exactly is ‘DOTA: Dragon’s Blood’ trying to say?”
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VVoices #4: Film Critics React to the 2021 Oscar Nominations
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“Joe’s backstory allows ‘Cowboys’ to explore the difficulty of being young and trans, but never in a way that feels exploitative.”
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“The way ‘Sweetheart’ approaches the topic of AJ’s sexuality isn’t groundbreaking, but in a world where queer coming of age stories are still defined by the “coming out” part, it feels refreshing all the same.”
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