“Kusama skillfully reinterprets the stylistics of classic film noir — mannered lighting, unusual camera angles and a bleak, existential tone — to explore the genre’s timeless and heady themes: obsession, loneliness, guilt and (most of all) identity…”
“Nicholas Brennan’s film makes a hugely convincing argument for following your dreams at all costs.”
“In retrospect, a film can seem so intentional, with every artistic choice so deliberate, that you can’t imagine it being any other way. But these movies that last for generations are often shaped by whims and circumstance.”
“By creating such a sympathetic, human subject, Lumet deepens the impact of his institutional critique of the justice system; its dehumanizing effect on American society seems all the more tragic when Sonny is its victim.”
“Bainbridge navigated the stage gracefully, curating what felt like an intimate house party with an impeccable playlist.”
“In a weird way, Flanagan might have inadvertently made the best X-Men movie to date.”
“Beauvais does what the essay filmmaker ought do: he appropriates film to his own ends. The combination of words and pictures rings nary a false note.”
“At once riveting and entertaining, while inciting in the viewer visceral and arduous self-reflection, ‘Marriage Story’ is an uncompromising and deeply affectionate reflection on what pulls us apart and yet what keeps us bound together despite it all.”
“In dramatizing themes of absence and presence so thoroughly, ‘Klute’ embodies a central feature of neo-noir; as a self-conscious revision of a classic film cycle, noir is always both absent and present in neo-noir films.”
“Judy the Actress and Judy the Icon may have been one in the same after all.”
