Sheffield Doc/Fest Review: Josh Homme and Andreas Neumann’s ‘American Valhalla’
“There is a sense of bearing witness to history-in-the-making and of the unlikely melding of soulmates.”
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Sheffield Doc/Fest Review: Nick Broomfield’s ‘Whitney: Can I Be Me’
“‘Whitney: Can I Be Me’ plays out like a tragedy of the most cinematic kind.”
Oak Cliff Film Festival Review: Dustin Guy Defa’s ‘Person to Person’
“‘Person to Person’ posits a world where forgiveness, kindness and neighborliness are actualized by a recognition of the innate goodness of humanity.”
Oak Cliff Film Festival Review: Alex Ross Perry’s ‘Golden Exits’
“In ‘Golden Exits,’ the miserable find company in the spaces they inhabit. Nothing is shared; nothing is collective.”
Open Roads: New Italian Cinema 2017 – Andrea De Sica’s ‘Children of the Night’
“De Sica has mentioned ‘The Shining’ and ‘Dead Poets Society’ as influences, and ‘Children of the Night’ is at its best when it favors the former.”
Open Roads: New Italian Cinema 2017 – Roberto Andò’s ‘The Confessions’
“Sleek visuals and cryptic dialogue aren’t enough to save a film that’s essentially a truncated season of ‘House of Cards.'”
Open Roads: New Italian Cinema 2017 – Edoardo De Angelis’ ‘Indivisible’
“‘Indivisible’ is a fantastically imaginative coming-of-age tale, an opera of sweeping creativity and a universal human love story.”
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