“As a creative whole, the second episode of True Detective was darker than its predecessor, and Nic Pizzolatto’s blatant dialogue ensured that casual viewers would get the hint.”
“This is Los Angeles pulp fiction — not a mystical world of sky monsters and poetic speeches.”
“It’s going to be a #NoirSummer, and hopefully some of the world’s filmmakers are paying attention to the simple yet effective methods of their predecessors.”
“Through a series of seemingly sensual vignettes, the director hides the passion that her protagonist so desperately wants, and its this absence of feeling that unveils a misguided and disillusioned woman.”
“Don Draper is clearly experiencing some type of reawakening, and he can’t jump from a New York City skyscraper if he doesn’t go back. Next week’s episode of Mad Men is titled ‘The Milk and Honey Route’ — a reference to life as a hobo.”
“Filled with sappy moments but fueled by Lively’s classical mojo, The Age of Adaline holds back just enough to capitalize on its magical realism.”
“From the fluid cinematography of Doug Emmett to Mary Elizabeth Winstead’s obvious transition into an undeniable star, the directorial debut of Chris Messina, Alex of Venice, contains a natural honesty that simply feels right.”
“Unfriended intelligently explores the act of clicking and how those split-second decisions can change everything.”
“The end is coming for both Mad Men and its anti-hero, and I wouldn’t be surprised if Don’s final breath comes during a heroic moment.”
“The beginning of Mad Men’s final flight enforced the idea that individuals may physically change but outward appearances don’t always reflect the inner-self.”
