“A great magician never reveals his tricks, and Soderbergh far too nakedly shows the craft in ‘The Laundromat,’ whereas a narrower focus, with the human consequence of the Panama Papers in clear sight, could have beguiled, incited and entertained in equal measure.”
“‘Parents – Wir Eltern’ is an imminently likeable movie, but frustrating for the insurmountable reach of its ambition.”
“What is crucial to its success is the way Mills and The National reach outward just as much as they do inward, using one woman’s painfully ordinary life to commemorate the differences and the commonalities that define the waves, cycles, memories and echoes of human life.”
“With a gorgeous vintage sheen across its 4:3 aspect ratio, Sakurai’s short establishes a magical realist land that magnifies the burgeoning diversity of America today – along with all the confusion, preposterousness and sudden violence that comes with it.”
“‘Sauvage’ emerges in the context of ‘BPM (Beats Per Minute)’ as a darker, grittier cousin. Both tell physically intimate stories, but where ‘BPM (Beats Per Minute)’ brims with romance, anger and sheer joy, ‘Sauvage’ has a harder edge and leaves more of a bitter taste.”
“A worthy tale of a pivotal figure, ‘Mr. Jones’ deserves consideration, even if it is to be met with confusion and scorn.”
“‘The Souvenir’ is an infuriating but ultimately rewarding experience set to inspire deep criticism and analysis.”
“Over 71 neatly-distilled minutes, Schäublin emerges as an artist with a keen analytical eye and a knack for mischief hidden beneath layers of despondency and detachment.”
