“There’s no telling the story of Khodorkovsky without telling the story of Russia, and it’s for that reason that ‘Citizen K’ is rather invaluable to people like this writer, Americans of a certain age who perhaps aren’t well versed in Russian history.”
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“‘Dark Waters’ may have a downbeat climax, to the degree that may not be considered a climax at all, yet it’s a film made to inspire action, to underline the idea that this crisis is a modern one — it’s still happening, and it’s not resolved.”
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“‘Motherless Brooklyn’ may not be a sterling example of traditional noir, but its subtext is gripping in its own way. The victim of this crime story isn’t a dead man or a damsel in distress, but the spirit of a city.”
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“‘Parasite’ takes a left turn that’s so hard yet so appropriate that it’s like watching a spectacularly executed high wire act.”
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“What ‘Tigers Are Not Afraid’ doesn’t contain in terms of deep characters and real-world specificity, it makes up for with its supernatural elements, allowing its allegory to resonate.”
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“‘Luz’ may be a distancing film, but it’s ultimately a fascinating and genuinely creepy one, forging as it does a bold new vision for the tired old demon possession movie, taking a cue from the demons of the subgenre and putting new life into its subject.”
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“If part of the horror genre’s mission is to elicit fear through the erosion of safety, then the endings of ‘Hereditary’ and ‘Midsommar’ are the ultimate expression of that mission.”
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“Many ‘Starfish’ reviews pick up on the film’s unmistakable exploration of grief, but just as many neglect to mention the other half of White’s semi-autobiographical work and its reckoning with guilt and regret.”
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“Attieh and Garcia have ironically made a movie that metatextually gives Sergio the respect he doesn’t deserve. If he were real, he’d be absolutely thrilled to be the star of a movie that’s so unique, and so genuinely cool.”
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“No one in ‘Buffaloed’ shines brighter than Deutch, who gives a performance that will completely redefine her as an actress.”
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