“As a recurring visual motif in ‘Unbreakable’ illustrates, sometimes all it takes to do something new is by turning things upside down and gaining a different perspective.”
“‘Scrooged’ carries on Dickens’ themes and message in a way that speaks the most directly and urgently to its audience, teaching that “the miracle” of giving can happen to all of us, at any time. Provided, of course, we can turn off the TV for just long enough.”
“‘The Faculty’ adds a wrinkle to its parasitic creature that sets it apart from most alien assimilation stories, one that is closely tied with the film’s setting and teenage viewpoint.”
“Regardless of how one chooses to view it, H20’s legacy will always have Laurie/Keri’s character and Curtis’ performance in its favor.”
“Ultimately, the endurance of Finney’s story and the concept of ‘pod people’ can be attributed to the fact that it’s not a metaphor for any one fear, but rather dozens.”
“Goddard delineates his film from its influences by focusing almost exclusively on character. Rather than a story filled with twists and turns and manipulation of the audience, ‘Bad Times at the El Royale’ presents each character’s story as a solo vignette, before tying it into the overarching drama.”
“The ‘Phantasm’ films may be the best and most consistent source for on-screen existential terror, and their dream logic that allows for numerous interpretations keeps them endlessly watchable.”
“Henenlotter and his films have the demeanor of a naughty uncle making wild, dirty jokes while telling a campfire ghost story. He wants you to take the material seriously, but he’s mostly concerned with you having a great time.”
