Semana Internacional de Cine de Valladolid: Andreea Pătru on Beata Gårdeler’s ‘Flocking” and Tali Shalom-Ezer’s ‘Princess’
“A sharp, claustrophobic study of human relationships, The Lobster puts humanity’s obsession with coupling on full display before it is bloodily dissected and rendered horrifyingly unrecognizable.”
“In Noah Hawley’s show inspired by the Coen brothers’ work, a high body count and a willingness to laugh at it have been no less a part of the universe, in some ways serving as the most direct connection between the series and the film.”
Semana Internacional de Cine de Valladolid: Andreea Pătru Interviews Israeli Filmmaker Avishai Sivan
“With The Leftovers being a show about faith and hope, and the desperation in holding onto such ideals, Matt deems Mary’s relapse into a comatose state as a test of his faith.”
“Regardless of what comes next for our beloved spy, let us never again speak of (or be subjected to) that opening montage with the trashy, tentacle-porn horror show.”
A Series by Dylan Moses Griffin
“If Skyfall was arguably about the James Bond character having an identity crisis, Spectre feels like the series having one.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Meeting the specifications of both Western and Horror halfway, Bone Tomahawk gracefully undermines each in pursuit of lending credence to the other.”
