Collecting Movies with Mike Flanagan
Mike Flanagan Interview: Greg Carlson and the horror filmmaker discuss movie collecting.
Greg Carlson
Collecting Movies with ‘JessZilla’ Filmmaker Emily Sheskin
Emily Sheskin Interview: Greg Carlson and the filmmaker discuss ‘JessZilla’ and movie collecting.
‘Creed III’: Michael B. Jordan Comes Out Swinging in Directorial Debut
“Michael B. Jordan makes his directorial debut with a sturdy piece of franchise storytelling.”
Review: Elizabeth Banks’ ‘Cocaine Bear’
“Despite the variety of practical effects that routinely merit enthusiastic ‘Fangoria’ profiles, ‘Cocaine Bear’ lumbers along in lazy circles.”
Anna Hints Receives Sundance Directing Award for ‘Smoke Sauna Sisterhood’
“Like so many of the best movies, ‘Smoke Sauna Sisterhood’ captures the universal in the specific.”
Review: Elijah Bynum’s ‘Magazine Dreams’
“Too grim to signal the likelihood of mainstream box office success, Bynum’s latest will draw attention for the muscular (in all senses of the word) performance of the increasingly vital Majors.”
Video Sleuths Press Rewind in ‘Kim’s Video’
“‘Kim’s Video’ reminds viewers that there was something very special about browsing the shelves of shops both large and small.”
Review: Beth de Araújo’s Gripping ‘Soft & Quiet’
“The combination of real time chronology with the nauseating escalation toward violence makes ‘Soft & Quiet’ as powerful as it is difficult to watch.”
‘Corsage’: Marie Kreutzer and Vicky Krieps Revise History
“It becomes evident that the director’s preoccupation with Elisabeth ‘coming apart’ at the age of 40 is the key component of ‘Corsage’ that transcends time to become a commentary on any era.”
‘Poly Styrene: I Am a Cliché’ Considers the Punk Legend from Her Daughter’s Perspective
“‘Poly Styrene: I Am a Cliché’ is not a critical deconstruction of X-Ray Spex’s music, but enough time is spent and enough awesome performance footage is included to send newcomers in search of ‘Germfree Adolescents’ (1978) and more.”
‘The Eternal Daughter’: Another Fantastic Joanna Hogg/Tilda Swinton Collaboration
“‘The Eternal Daughter’ can be viewed independently from the pair of stories starring Swinton’s own daughter Honor Swinton Byrne, but the in-world connections provide an extra layer of enjoyment.”
‘Aftersun’: Charlotte Wells’ Debut Feature Is Among the Best of 2022
“Shimmering like a mirage that retreats and dematerializes the closer one gets, ‘Aftersun’ may just be the best movie of 2022.”
Singin’ in the Hurricane: Damien Chazelle Takes Us to Wild, Old Hollywood in ‘Babylon’
“‘Babylon’ goes big and refuses to be ignored, even if a much better, much shorter movie exists somewhere inside the messy sprawl.”
Review: Elvis Mitchell’s ‘Is That Black Enough for You?!?’
“If you can’t live without the movies, ‘Is That Black Enough for You?!?’ is one of the year’s essential experiences.”
Conspicuous Consumption: Noah Baumbach Takes on ‘White Noise’
“Admirers of Baumbach will smile at the ways in which ‘White Noise’ embodies his longtime preoccupations and simultaneously points toward bold new possibilities.”
A Portrait of the Portrait Artist: Laura Poitras and Nan Goldin Get Together for ‘All the Beauty and the Bloodshed’
“Goldin’s openness and forthrightness extends to her advocacy on behalf of so many others who, like herself, struggled or continue to struggle with opioid addiction.”
Maria Schrader Dramatizes a Contemporary Reckoning in ‘She Said’
“Condensing, combining and streamlining are expected elements of movie storytelling, but ‘She Said’ works toward a composite that validates as many facts and details as possible within the limitations of the feature film format.”
Review: Amy Bandlien Storkel and Bryan Storkel’s ‘The Pez Outlaw’
“In ‘The Pez Outlaw,’ the Storkels include enough material centered on the durable and enchanting romance between Glew and wife Kathy to keep viewers firmly on his side.”
Review: Lena Dunham’s ‘Catherine Called Birdy’
“Dunham delivers the most polished and confident feature of the four she has made so far…”
Marc Shaffer Explores the Legend of Helios in ‘Exposing Muybridge’
“At just under 90 minutes, ‘Exposing Muybridge’ doesn’t wear out its welcome, but there are a few aspects of the subject’s colorful legacy that could have used more detail and consideration.”