“The best aspects of ‘Framing Britney Spears’ are implicit while the least effective parts are explicit. And in the absence of a direct commentary from Spears, Stark surely could have used more evenhanded and considerate interview subjects.”
“‘Kubrick by Kubrick’ has the effect of placing the notoriously particular and media-shy subject in the room with the eager listener/viewer.”
“End of the Line: The Women of Standing Rock’ belongs to a tradition of activist filmmaking that draws from investigative journalism as well as from artistic principles and techniques.”
Greg Carlson Interviews Filmmaker Toby Jones About Movie Collecting
“Too often, the tongue-in-cheek tone veers into the empty calorie territory of VH1’s cable television time-filler ‘I Love the ‘80s,’ as subjects like Doug Benson and Ron Funches can’t resist using their screen time to test what feels like standup material.”
“‘Freeland’ is a tour de force showcase for Fairchild — an overnight sensation several decades in the making.”
Greg Carlson Interviews Director Dava Whisenant About Movie Collecting
“Good onscreen chemistry between Jena Malone and Pablo Schreiber lifts the filmmaker’s debut feature out of traps set by occasionally mundane dialogue and predictable complications.”
“Despite Stalking Chernobyl’s clear position on the dangers of expanding nuclear power, Lee does not shrink from the otherworldly allure that draws so many to Chernobyl and Pripyat.”
Greg Carlson Reviews Rodney Ascher’s ‘A Glitch in the Matrix’