“‘Crimes of the Future’ doesn’t offer the same opportunities of mid-2000s highlights like ‘A History of Violence’ and ‘Eastern Promises,’ but Mortensen balances the ridiculous and the sublime like few others.”
“Okuno makes excellent use of text and subtext to explore a range of ideas that unmistakably double as commentary on the commonplace experiences of women everywhere.”
“‘Men,’ Garland’s latest, will draw the filmmaker’s faithful, but the modest environs, esoteric posture and open text most likely won’t translate to massive financial success.”
“‘Master’ certainly won’t be collecting an Academy Award for Best Screenplay, let alone a nomination. Even so, the film is worth a look.”
“Poehler makes certain to strike a steady and careful balance between Ball and Arnaz in ‘Lucy and Desi,’ allowing them to share the spotlight in a meaningful way far more satisfying than any loose-with-the-facts biopic fictionalization.”
“‘Downfall’ accomplishes Kennedy’s principal goal: it shines a bright light into a dark place.”
“Hanna Bergholm’s feature debut ‘Hatching’ is a satisfying creature-feature delight.”
“The Northman’s carefully choreographed, single-shot takes and startlingly lit close-ups blow the spatially disorienting and over-edited style of so many contemporary action films completely out of the fjord.”
“‘Everything Everywhere All at Once’ nearly wears out its welcome, but as far as hot dog-fingered audacity goes, the Daniels will make plenty of new eyeballs go googly.”
“‘Cow’ strikes just the right balance between the filmmaker’s self-awareness, which punctuates the movie’s soundtrack selections, and Arnold’s long-game feminist commentary.”
“The side trips in ‘A Forbidden Orange’ are more tantalizing than the sights on the main highway.”
“Alice’s imaginative genre-mashup works in fits and starts, but there is no question about the quality of lead Keke Palmer’s smooth Pam Grier-inspired performance, even if she inhabits a universe that never fully comes together for viewers.”
Mylissa Fitzsimmons Interview: Greg Carlson and the filmmaker discuss movie collecting and ‘Everything in the End.’
“‘Vinyl Nation’ accentuates the positive, but the documentary can also be commended for at least raising questions about industry downsides to the record boom.”
“Throughout ‘Fresh,’ Cave shows a sophisticated command of the screw-turning suspense in the material and the milieu.”
“Bell is as masterful a listener as he is an interviewer, fully honoring the presence of those whose lives were changed after crossing paths with Cosby.”
Nicole Rodenburg Interview: A conversation about movie collecting with Vague Visages contributor Greg Carlson.
“Stigter’s direction transforms ‘Three Minutes: A Lengthening’ into so much more than a historical lesson on atrocity and genocide.”
“Cruz has forged a lasting partnership with Pedro Almodóvar, and ‘Parallel Mothers’ — their seventh movie together — is arguably the most satisfying collaboration.”
“Dosa, like Wes Anderson in ‘The Life Aquatic with Steve Zissou,’ seizes on the stylish allure of entrepreneurship in ‘Fire of Love.'”
