Review: James Gray’s ‘Ad Astra’
“‘Ad Astra’ joins the likes of ‘Gravity’ and ‘Interstellar’ as one of Stanley Kubrick’s starchildren.”
“‘Ad Astra’ joins the likes of ‘Gravity’ and ‘Interstellar’ as one of Stanley Kubrick’s starchildren.”
“Shaping the narrative around the complexities of female friendship and the pressures wrought by the financial crisis of 2008, Scafaria convincingly paints a psychologically resonant portrait that allows the viewer a seat on the inside looking out…”
“Esterhazy’s direction is consistently flat and uninspired given the nonstop opportunities for twisted weirdness, but the failure of ‘The Banana Splits Movie’ can be pinned almost entirely on the sawdust-packed script…”
“As a kind of grown-up ‘Clue’ in reverse, complete with the tribute appearance of a pepper-box revolver, ‘Ready or Not’ also lays out a motley assortment of Colonel Mustard and Mrs. Peacock-worthy opponents hell-bent on dispatching Grace prior to sun-up.”
“The Kitchen fares so much better when read as a kind of self-aware meta-narrative of the gangster film, and an examination of Berloff’s construction of the men is one argument for why this rare, female-helmed genre piece deserves a second look.”
“Writer-director Lulu Wang finds inventive ways to freshen up the terminal cancer tale in ‘The Farewell,’ a worthwhile diversion to so much summer blockbuster fare.”
“Many can relate to the time-sucking dread of endlessly scrolling through options in search of something to watch, which has become the digital-era equivalent of scouring video store shelves for some tasty new treat or previously overlooked gem.”
“The close proximity of sudden, shocking violence to the humor challenges viewer expectations, and despite a few notable exceptions in the movie’s later sections, Stearns successfully pulls off his tricks.”
“Reflecting and refracting the ongoing conversations around everything from the salary inequity between male and female soccer players to the alleged child sex trafficking hellscape perpetuated by Jeffrey Epstein, ‘Maiden’ can be read as both time capsule and time bomb.”
“…an energizing portrait of working class, mad-as-hell action — and the birth of a national celebrity.”