“Matched by the acrobatic ferocity of Ferguson’s Faust, Cruise’s antics transform Rogue Nation into an explosive Cirque du Soleil performance on the grandest of scales.”
A Column by Dylan Moses Griffin
A Column on Love and Erotica in Cinema by Justine A. Smith
A Column by Max Bledstein
“Throughout Unexpected, little is ever gained or lost, ultimately raising the question (albeit a rather absurd one when considering film): for whom was this made, and what is its intended purpose?”
“Fully asserting the series reboot mantra, M:I II eschews the original’s ethos in favour of half a Hitchcock riff (a lot of Notorious, with a pinch of To Catch a Thief) and half traditional, near self-parodic Woo bombast.”
Vaguebande 1
The Fifth and Final Installment of “Tightrope Cinema: John Cassavetes’ Highwire World” by Phuong Le
A Series by Dylan Moses Griffin
“The sound of Hannibal has always been one of its strongest elements, thanks in large part to Brian Reitzell’s terrifying score, and the auditory depiction of Dolarhyde’s plight is no exception.”
