“If this is the last hour we spend watching The Leftovers, then “I Live Here Now” is certainly a historic one that successfully doubles as both a season finale and a series finale.”
“Simply put, Slow West is unlike anything out there this year and deserves to be recognized as one of the most unique works of 2015, as it only grows and develops with each viewing.”
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
“Radiator never actually “deals” with any of the lofty existentialisms it digs up, firmly positing that they should remain the unknowable, unthinkable aspects of life.”
“Will Ed and Peggy get what they deserve? What do they deserve, exactly?”
“With its diverse range of attendees and entries, as well as the festival’s strong showing at the 64th and 65th Berlinale, The UK Film Festival seems to have a very strong future in the heart of London.”
“Not without its flaws, The Summer of Sangaile is a piece of breezy, sumptuous Sunday-afternoon enjoyment for those that don’t mind taking the time to watch the scenery and allow the story of gentle teenage love to wash over.”
“One of the bright spots about Season Two is how The Leftovers has given each cast member their own episode to shine.”
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
