His Blazing Automatics: You and Me and the Devil Makes Three – The Religious Allegory of Craig Zobel’s ‘Z for Zachariah’
A Weekly Column by Dylan Moses Griffin
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Review: Bob Byington’s ‘7 Chinese Brothers’
“While framed as a film about learning some great lesson about life and happiness, 7 Chinese Brothers never really builds from this assumed groundwork.”
Review: Alex Ross Perry’s ‘Queen of Earth’
“An intimate character study of a shifting, indefinable character, Queen of Earth pushes the already exceptionally talented Elisabeth Moss to new levels of intense frenzy and naked emotion.”
An Abrupt Ending: Hannibal ‘The Wrath of the Lamb’ (Recap)
“If The Wrath of the Lamb doesn’t quite work as a series finale, it’s only because it wasn’t really supposed to be one.”
We Failed This Film: Matt Reeves’ ‘Let Me In’
A Series by Dylan Moses Griffin
The Dueling Cavalier: Contrasting Effectiveness of the Long Take in ‘The Tribe’ and ‘Birdman’
A Column by Max Bledstein
Of Love and Other Demons: Ideal Love in Cinema
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
His Blazing Automatics: The Communicative Filmmaking of Cornel Wilde’s ‘The Naked Prey’
A Column by Dylan Moses Griffin
VOD Review: Jonas Alexander Arnby’s ‘When Animals Dream’
“This recurring theme of women fighting against their suppression and abuse at the hands of men who fear them, despise them, or sometimes both, is by far the most interesting aspect of When Animals Dream.”
Locarno 2015: ‘I Remember Nothing’ (Zia Anger, 2015)
“Creating something beyond just an experience of mood and sensuality, Zia Anger offers a film that is consistently engaging and fun.”