“Not merely a story about the loneliness of a career on the road, Entertainment is the struggle of a man singularly steadfast in his pursuit of his chosen art.”
“Currently being honoured with a retrospective at the RIDM, Andersen’s cool and measured voice emerges as a through-line in his career.”
“My Love, Don’t Cross That River, a documentary about a Korean couple who have been together for 75 years, achieves cinema’s full potential as a medium of poetry.”
“One of the most impressive aspects of Fargo this season has been the show’s ability to digress without ever losing focus.”
“As premature as it might be to say in a review for an initial theatrical run, Carol more than earns the right of comparison to Brief Encounter in terms of quality. Frankly, it’s one of the new great romantic films.”
RIDM 2015: “As diversity takes centre stage, In Jackson Heights demonstrates the importance of local governments and organizations in building a healthy community.”
“On Lost, cliffhanger endings were simply a part of the storytelling structure. For The Leftovers, “A Most Powerful Adversary” is perhaps the episode that bares the most striking resemblance to Lost given the dooming conclusion.”
“The Wrong Man is, perhaps, Hitchcock’s most authentic film.”
A Column by Dylan Moses Griffin
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
