‘Only Yesterday’ Is Studio Ghibli’s Secret Masterpiece
An Essay by Josh Slater-Williams
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Locarno 2015: ‘Cosmos’ (Andrzej Zulawski, 2015)
“Cosmos feels more like a parody of Zulawski’s work than a larger part of it.”
Film Beat: ‘In Dreams’ from David Lynch’s ‘Blue Velvet’ (1986)
A Column by Phuong Le
Of Love and Other Demons (From Locarno 2015): Peckinpah and Sex Part 1 – ‘The Ballad of Cable Hogue’
A Weekly Column on Love and Erotica in Cinema by Justine A. Smith
His Blazing Automatics: How One Scene in ‘Mission: Impossible – Rogue Nation’ Defines the Strengths of Christopher McQuarrie
A Column by Dylan Moses Griffin
We Failed This Film: Joe Carnahan’s ‘The Grey’
A Series by Dylan Moses Griffin
‘The Diary of a Teenage Girl’ is a Modest Trailblazer
“Heller draws a refreshing beauty from her “this is what it is” approach in The Diary of a Teenage Girl, getting tenderness out of content too often used simply to titillate, shock or be used for didactic tirades.”
The Dueling Cavalier: Proof of Premise in ‘Inside Out’
A Column by Max Bledstein
True Detective ‘Black Maps and Hotel Rooms’ (A Vague Visages Staff Recap)
A Conversation Between Vague Visages’ Q.V. Hough, Dylan Moses Griffin and Max Bledstein
Looking Wider: Hannibal ‘And the Woman Clothed with the Sun…’ (Recap)
“If last week’s “The Great Red Dragon” was centered around the two killers who now share the villainous duties on Hannibal, “And the Woman Clothed with the Sun…” has a broader focus.”