Why Criticism: Nichols / Soderbergh
“In their conversations, Soderbergh and Nichols work together to dismantle the artificial dividing line between art and criticism, neatly moving between the two…”
Emir Kusturica’s ‘Underground’: 25 Years Later
“‘Underground’ remains a controversial and wildly ambitious film, one that refuses to be pinned down. It’s a never-ending hall of mirrors that reveals more about the audience than the narrative itself.”
Uneasy Recognition: On Hong Sang-soo’s ‘Yourself and Yours’
“‘Yourself and Yours’ is a great summer movie, where the over-lit qualities reflect a state of mind more than an exact reality.”
Josephine Decker Casts a Spell with Elisabeth Moss in ‘Shirley’
“Moss is nothing short of phenomenal in ‘Shirley,’ filling out her performance with a steady flow of poisonously perfect wisecracks, putdowns and insults…”
‘True History of the Kelly Gang’: Nothing in Life Is Free
“‘True History of the Kelly Gang’ explodes like a Molotov cocktail, one that is fueled by punk spirit and more androgynous costuming than a New York Dolls album.”
Not the End: Celebrating the Directing Career of John Cassavetes
“Cassavetes’ films form a mosaic of artistic fortitude, glued together with thought.”
‘The Assistant’: Kitty Green’s Important Workplace Drama
“Green’s skillful direction is a master class in strategic elision.”
Why Criticism: Brian De Palma and Film as Film Criticism
“If the point of criticism is to bring the reader closer to the artwork, then Schrader’s reviews of other films are as important as his own to understanding his perspective.”
‘The Psychic,’ ‘The Black Cat’ and the Concept of the ‘Final Girl’
“Even though ‘The Psychic’ and ‘The Black Cat’ don’t exist as prominently in the cultural consciousness as ‘The Texas Chainsaw Massacre’ and ‘Halloween,’ there is a sense that the Final Girls do exist in the wider world of horror…”
Sympathy for the Devil: How ‘Batman Returns’ Complicates the Penguin
“In the end, there can be no simple feelings of joy or satisfaction in seeing Batman defeat the Penguin — in seeing the good guy defeat the bad guy — because who’s the winner here, really?”
The Disaster Area: From ‘Airport’ to ‘Airplane!’ – Part Two
Part Two of a Four-Part Disaster Movie Series by Bill Bria
Alike in Their Way: (Un)happy Families in ‘Teorema’ and ‘Visitor Q’
“While ‘Teorema’ and ‘Visitor Q’ share a common DNA, what’s most striking is the way each film uses The Stranger. Both figures bring with them a kind of new order, as if they were missing puzzle pieces for the families that they integrate themselves into.”
12 Angry Films: Sidney Lumet on Justice #11 – ‘Night Falls on Manhattan’
“In ‘Night Falls on Manhattan,’ Lumet arrives at acceptance — the system is what it is. He is resigned to his inability to chronicle any meaningful change through his work.”
Edward Yang’s ‘Yi Yi’ in the Era of Social Distancing
“‘Yi Yi’ is a film for grown ups in the sense that the characters have lived long enough to understand how memories of people can stay with them over the course of their lives. Keeping your distance from people is not the same as giving up on them.”
What a Way to Invade Earth: Science and Crisis According to Quatermass
“Quatermass is an eccentric antihero who presages Doctor Who in his singular disregard for established mores and the niceties of procedure…”
Tribeca 2020 Documentary Round-Up: Pro Forma(t)
Tribeca Film Festival 2020: Marshall Shaffer on ‘Pray Away, ‘Socks on Fire, ‘499’ and ‘Through the Night’
The Ten Commandments: Observation and Humilty in Kazuhiro Sôda’s ‘Inland Sea’
“By focusing on three elderly Ushimado residents, Sôda has unconsciously managed to both comment on the present and the past, as the subjects seem like relics or museum articles that have come to life through monochromatic photography.”
Foreign Objects: ‘Swallow’ Is a Convincing Feature Debut for Director Carlo Mirabella-Davis
“Haley Bennett’s central performance is career-best work.”
‘Death Race 2000’: Camp Then and Now
“Perhaps the exaggerated disregard for human life in the name of national pride, entertainment and prosperity in ‘Death Race 2000’ is a timely trigger for reassessing priorities as we await a return to normalcy.”
The Disaster Area: From ‘Airport’ to ‘Airplane!’ – Part One
“It is during the 70s that the disaster film’s most pure and admirable entries were made, bookended by two significantly different stories involving air travel fiascos.”