New York Indian Film Festival Review: Ravi Jadhav’s ‘Nude’
“‘Nude’ is a caveat to our times; a warning that we are driving arts education to a point of redundancy with our politics…”
“‘Nude’ is a caveat to our times; a warning that we are driving arts education to a point of redundancy with our politics…”
“‘Avengers: Infinity War’ is the apex of franchise movie-making, bringing together a plethora of heroes from a number of different franchises to form the blockbuster of blockbusters.”
In celebration of the late Audrey Hepburn’s May 4 birthday, Vague Visages writers remember a couple of the actress’ finest performances.
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
“At times, ‘Beyondless’ is overwhelming in the scope of its genius, but the chord progressions that Johan Surrballe Wieth has conjured are something divine.”
Michael J. Casey on the TCM Classic Film Festival 2018
Devika Girish on Her First Tribeca Film Festival Experience
“‘Lemonade’ makes palpable the psychological experience of immigration and the constant, self-effacing guardedness it encourages.”
“Like an aging fighter that steps into the ring on short notice, Robert Smigel’s ‘The Week Of’ is overweight, unfocused and hungry for a paycheck.”
Julia Yepes Interviews Filmmaker Alex Ross Perry
In the Vague Visages Writers’ Room on Slack, freelancers were asked to comment about new discoveries from April 2018.
“‘Borg vs McEnroe’ loses momentum during its tennis sequences, but that’s just a minor complaint. Advantage LaBeouf.”
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
“Given the meticulousness Lelio affords to form in ‘Disobedience,’ there’s something a bit schematic about his characters.”
“Unlike many documentaries of its ilk, ‘The Feeling of Being Watched’ is not weighed down by doomsaying or sensationalism; instead, the picture it paints of community organization is genuinely hopeful.”
“Finally facing the ghost actually releases the tension. And so, it is only by facing a trauma like the Holocaust that future generations can begin to relieve its effects.”
“Phoebe Bridgers’ songs are intimate and conversational, perfectly crafted for small, dimly-lit venues like St. Paul’s Turf Club.”
“There’s a calculated precision to both Reitman’s direction and Cody’s screenplay. The film is perfectly paced and cut, and moves with a rat-a-tat rhythm; the writing is sharp and specific, with a zinger in every other line.”
“The music of Drinks is uncategorizable, yet addictive. For those who crave something that genuinely challenges the ears, ‘Hippo Lite’ is a real find.”
Vague Visages News: Q.V. Hough on Amazon’s New Series ‘ZeroZeroZero’