“As a first feature, ‘We Are from There’ is an assured piece of work. Tanios paces the documentary well, and maintains a consistent and observant tone when it would be easier to lean on the sentimentality or urgency of the assembled footage.”
“‘Shell and Joint’ thrives in being carefully discovered by peeling away one layer after the other.”
“The film may seem purposeless at first, but eventually it reveals itself to be a portrait of the proud insanity of Florida, one that feels eminently authentic.”
“‘Shirley’ is not just a film about the pain and struggle of creativity for all artists, but about women particularly.”
“By seemingly stripping the sacredness from the cenotes, and forcing the sinkholes to be penetrated by the eye of the camera, Oda appears to deconstruct the documentary’s premise: there’s no mystery to unearth…”
“‘Scare Me’ takes a while to get going, awkwardly finding its footing through its opening scenes, but when it settles into the long night of storytelling in the cabin, Ruben’s debut feature becomes a total delight.”
“‘Never Rarely Sometimes Always’ is an abortion drama that is so grounded in reality, so meticulous in its details, that it becomes one of the most moving and insightful movies made on the subject.”
“Chukwu avoids any overt didacticism in her storytelling, even if the mounting pressure on the beleaguered protagonist is delivered with quiet resolve and suffocating dread.”
“Andersson depicts fragments of humanity, stitched together with humour and relatability, and without a hint of loftiness or condescension.”
“‘Color Out of Space’ is one of the weirdest, most disgusting, thought-provoking and provocative releases of the year…”
“In her mysterious way, Hatidze’s character is as gorgeous and singular as the breathtaking images collected by cinematographers Fejmi Daut and Samir Ljuma.”
“Many directors twice Balagov’s age could only dream of making a film this unwavering and unsettling — so explicit in its understanding and exploration of extreme female pain.”
“With a fresh, new approach, Mendes memorializes not only his grandfather, but all the brave soldiers of WWI, reminding viewers of the individual tragedies that comprise warfare.”
“Varda’s enthusiasm for making is simply infectious.”
“Diop’s feature debut is one that embraces the strange, joyous and tender moments that extend beyond boundaries and linear temporalities. Neither love nor life moves in a straight line.”
“More mood piece than cohesive story, it’s impressive chiefly in how McGuinness mirrors the desolate bleakness of the protagonists’ lives with the parched cinematography of their surrounding landscape.”
“Greta Gerwig continues to exercise her command of cinematic storytelling with ‘Little Women,’ a perfectly wrapped and beribboned Christmas gift as welcome as a steaming cup of cocoa after a frosty skate around the local frozen pond.”
“A sharply-shot film, ‘Brotherhood’ effectively uses the short running time to question familial responsibilities/motives, and the central performances make Joobeur’s planned feature adaptation even more intriguing.”
“A showcase of the potent purity of visual expression, ‘Alva’ concerns itself with consequence, more specifically the consequences we attribute to ourselves, as well as those we put upon others we can never truly know.”
“‘Richard Jewell’ is, for the most part, a captivating recreation of a man’s journey through hell and back. Its strong acting and character relationship dynamics are the main selling points, as Eastwood’s sense of direction and pacing are the best they have been in a long time.”