Soundtracks of Cinema: ‘The Suicide Squad’
‘The Suicide Squad’ Soundtrack: A Vague Visages guide for every featured song in the 2021 DCEU movie starring Margot Robbie.
‘The Suicide Squad’ Soundtrack: A Vague Visages guide for every featured song in the 2021 DCEU movie starring Margot Robbie.
‘Vivo’ Soundtrack: A Vague Visages guide for every song in Kirk DeMicco and Brandon Jeffords’ 2021 Netflix movie.
‘Vivo’ Cast: A Vague Visages guide for every actor and character in Kirk DeMicco’s 2022 Netflix movie.
‘The Edge of Seventeen’ Soundtrack: A Vague Visages guide for every song in Kelly Fremon Craig’s 2016 movie.
‘The Edge of Seventeen’ Cast: A Vague Visages guide for every actor and character in Kelly Fremon Craig’s 2016 movie.
‘The Last Mercenary’ Cast: A Vague Visages guide for every actor and character in David Charhon’s 2022 Netflix movie.
‘Resort to Love’ Soundtrack: A Vague Visages guide for every song in Steven K. Tsuchida’s 2021 Netflix movie.
‘Resort to Love’ Cast: A Vague Visages guide for every actor and character in Steven K. Tsuchida’s 2021 Netflix movie.
“‘Summertime’ feels wrong-headed, even if its heart is in the right place.”
“At a time when on-screen Scotland was mostly shown to be either Ken Loach or ‘Brigadoon,’ ‘That Sinking Feeling’ manages to be its own thing…”
“‘Shiva Baby’ is most certainly not a movie for those who get clammy and start to sweat at secondhand embarrassment.”
“At first blush, ‘Cotton Comes to Harlem’ may not seem like a traditional noir production. But over time, the 1970 film has become one of the most vivid examples of the genre being inclusive.”
“‘Zola’ is riveting, and the film’s rich array of cinematic techniques and performances upend convention, even if its narrative and story tend to falter.”
Dipankar Sarkar Interviews ‘Cinema Bandi’ Filmmaker Praveen Kandregula
“‘Zola’ is a star-making opportunity that Paige owns with every raised eyebrow and skeptical look.”
Dominic Erickson Interviews ‘Glob Lessons’ Filmmakers Nicole Rodenburg and Colin Froeber
“Johnson doesn’t create a specific sense of place in ‘The Carnivores,’ nor does he develop the characters into anything more than cyphers for American angst that a million Sundance films have delivered before.”
“‘Our Ladies’ may resonate with those appreciative of the 90s, but the film’s lack of critical insight on the gender politics of negotiating sex undermines its purported feminism…”
“‘Werewolves Within’ has a puckish charm that’s difficult to resist. In spite of everything working against it, Ruben’s movie is eminently watchable thanks in large part to the brilliant cast, led confidently by Richardson.”
“‘Sublet’ is a well-done film that manages to fuse different cultures and stories through its central romantic fling, renting its short running time for a meaningful, if imperfect experience.”