“The questions ‘New Money’ poses are numerous and mostly left unanswered. The film is scattershot at times and tonally inconsistent throughout, flirting with elements of a crime thriller and a goofy comedy.”
“‘Carmilla’ proves to be a successful adaptation that will appeal to anyone looking for some unearthly shivers, or a coming-of-age story where being conscious of one’s own sexuality takes centre stage.”
“It’s a cruel world, but with music like this around, we are never truly alone.”
“‘Spider-Man: Far from Home’ is a sophomoric attempt to capture the visual flair and look of the old comics; Watts fails to capture the bite and necessary substance.”
“‘Midsommar’ is all steak, no sizzle, and no real lessons are learned other than, maybe, ‘Screw your mansplaining boyfriend.’”
“…an energizing portrait of working class, mad-as-hell action — and the birth of a national celebrity.”
“‘Yesterday’ didn’t need to be a dry, emotionless sci-fi story, but in taking such a basic approach to the concept, it really lessens the impact and results in a watered-down, forgettable experience.”
“Featuring powerful lead performances, ‘Manta Ray’ is like a perfectly wrapped present that needs to be opened with care.”
“‘Late Night’ struggles to define almost all the characters in the ensemble beyond providing the majority with a single, instantly recognizable trait.”
“Playing almost like a self-eulogy, ‘Varda by Agnès’ resonates as both a manifesto to untamed creativity and a testament to future generations of artists.”
