“‘Green Book’ becomes more than a comforting story of a friendship that today would actually be perfectly likely when its baseline intersectionality shows its limits.”
“‘Beautiful Boy’ occasionally veers into prevention video territory, but the despair and forced acceptance that David goes through show a side of fatherhood that cinema rarely confronts. Sometimes, your child has to help himself.”
“Apart from fantastic performances from its cast, especially Bomer and Patiño, Papi Chulo’s biggest strength is the subtlety and grace with which it deals with the wide cross-section of issues it touches upon.”
“Anchored by a deeply sympathetic performance from Aparicio, ‘Roma’ is an empathetic, sentimental, stirring delight.”
“Greta’s biggest asset is that it’s a film that relishes in its own absurdity.”
“What ‘First Man’ might lack in emotionality, Chazelle more than compensates for in spectacle.”
“Within the power plays of a self-aware love triangle, Garrel examines love, sex and companionship and tries to get to a point where everyone meets and exists in perfect harmony. It’s a tug of war between these three, and the final result is basically a test of which one outlives the others.”
“‘Widows’ offers the thrills and the feelings, the political and the sentimental corruption, the men but also, and especially, the women behind them, who will do anything for love, but won’t do that.”
“By being so lazy and aggressive with his judgment of pop culture, Corbet ends up making a film that is bland in its anger, annoying in its attacks and ridiculous in its contempt for its characters and audience.”
“Audiard finds the real drama of the film in how the seemingly boundless promise of the land collides with the very real limitations of the human imagination and body.”
