Review: Alice Waddington’s ‘Paradise Hills’
“One can’t help but wonder how Waddington might reinvigorate other sci-fi tales with her fairy tale stylings.”
Advertisements
Review: Alexa-Jeanne Dubé’s ‘S.D.R.’
“Based on ‘Oui mais non’ and ‘S.D.R.,’ Dubé seems fully capable of tackling various genres, and taking the medium forward into the future.”
Review: Ciro Guerra’s ‘Waiting for the Barbarians’
“‘Waiting for the Barbarians’ is utterly removed from anything of Italy, and yet echoes the most vulgar and despicable parts of film culture.”
Review: Ruben Fleischer’s ‘Zombieland: Double Tap’
“Despite the warmed-up leftovers, ‘Zombieland: Double Tap’ manages to locate a few bright spots, and none are more appealing than Zoey Deutch.”
Review: Marianne Métivier’s ‘She Who Wears the Rain’
“‘She Who Wears the Rain’ shows how lucid dreaming engagement can help people cope with mental health issues.”
Review: Milena Lurie’s ‘Entangled’
“‘Entangled’ feels like a clunky ‘Love in New York’ story during the first hour, but ultimately transforms into a moving tale about self-love and acceptance.”
Review: Pietro Marcello’s ‘Martin Eden’
“In ‘Martin Eden,’ the games that Marcello plays with form and structure coalesce into an immensely moving film, which — grounded by the standout turn from Marinelli — offers a new direction for the stale “Great American Novel” adaptation.”
Julia Hart Powers Up with ‘Fast Color’
“‘Fast Color’ deserves a close look…”
Review: Daniel Kremer’s ‘Overwhelm the Sky’
“Mesmerizing and immaculately-structured, ‘Overwhelm the Sky’ is an ambitious indie epic that doesn’t waste a single minute.”
New York Film Festival Review: Edward Norton’s ‘Motherless Brooklyn’
“‘Motherless Brooklyn’ may not be a sterling example of traditional noir, but its subtext is gripping in its own way. The victim of this crime story isn’t a dead man or a damsel in distress, but the spirit of a city.”