“The most devoted fans will appreciate the authenticity of the character design, which sticks closely to the look of the classic illustrations.”
“‘The Souvenir’ is essential viewing for devoted cinephiles.”
“It wouldn’t be surprising to see ‘The Traitor’ filed in the Dad-canon of crime cinema alongside other European films like ‘Mesrine’ or ‘The Baader Meinhof Complex’ — films where the context is too wide to sufficiently cover…”
“Rob Grant’s ‘Harpoon’ exudes all the sly confidence of a well-prepared and half-in-the-bag wedding table orator.”
“‘Joker’ is what so many controversial films turn out to be: it’s fine — neither masterpiece nor trash fire, well-executed in some parts and poorly thought out in others.”
“Shelton convincingly alternates between the absurd misadventures of the core quartet and the well-observed moments of confessional pathos during which the audience sees the characters as humans doing their best to get along in the world…”
“‘Semper Fi’ leans heavily on male codes of honor — a la HBO’s ‘The Wire’ or Ben Affleck’s ‘The Town’ — but doesn’t fully explore the motivations for the primary players, a group of Marines trying to re-acclimate to life in upstate New York. As a result, the final act suffers.”
“Despite the 68-minute duration, ‘Breathless Animals’ might feel occasionally redundant, especially when the animation creates psychedelic vibes, but its many sketches of a woman’s life make up for any minor flaws.”
“A great magician never reveals his tricks, and Soderbergh far too nakedly shows the craft in ‘The Laundromat,’ whereas a narrower focus, with the human consequence of the Panama Papers in clear sight, could have beguiled, incited and entertained in equal measure.”
“‘Ad Astra’ joins the likes of ‘Gravity’ and ‘Interstellar’ as one of Stanley Kubrick’s starchildren.”
