“Refusing to look down on their characters, Kazakova and Mileva effectively portray disillusion by relying on familiarity and recognition to bring the marginalised closer.”
“While some metaphors seem rather self-explanatory, Fukada effectively develops a multifaceted character by transforming Ichiko from a collateral victim into an accomplice. ‘A Girl Missing’ highlights the importance of knowing when to speak up and when to stay silent.”
“Coherence is the last concern in ‘The Green Fog,’ whose beauty is comprised in the hidden connections between the city-film tropes.”
“‘No Date, No Signature’ excels by subtly examining themes of integrity and moral duties.”
“The father’s strength lies in knowing when to ‘protect the heart by pretending to have no heart,’ and the moment when he chooses to do so is devastating.”
“These allegorical films remind of the original connections that we have lost.”
“It’s the demons within that Kôji Fukada astutely brings to life in ‘Harmonium.'”
“Ultimately, ‘Bitter Money’ points out that accumulating money doesn’t necessarily bring wealth, and that slaving away isn’t necessarily a solution for the Chinese subjects — it’s their only option.”
“Roberts believes in the subtle force of his nice-as-pie protagonist, and he is right: Katie’s light outshines the blue Arizona sky.”
“We can’t always get what we want, but ‘Mes nuits feront écho’ shows that, in our dreams, we are in charge.”
“All in all, ‘Demonios tus ojos’ is a movie about the excitement of doing something prohibited.”
“The beauty of ‘Super Dark Times’ can be found in its caring and sensitive vision for the characters’ world.”
“In this promising debut, there is something beautiful about the resignation that humanity can be found in surprising places.”
“The film is more of a mood piece than a purely narrative feature, one that prefers to focus on the nuances of being different.”
“We don’t who Helmut Berger is. Neither does he. Once a star, he will always be a star.”
“In the end, the two films are essentially stories about connections with others, with life itself and ourselves.”
“With clear references to the cult horror ‘Rosemary’s Baby’, ‘Shelley’ explores the theme of pregnancy as an invasion.”
Semana Internacional de Cine de Valladolid: Andreea Pătru on the recipient of the 2015 Meeting Point Audience Award.
Semana Internacional de Cine de Valladolid: Andreea Pătru on Beata Gårdeler’s ‘Flocking” and Tali Shalom-Ezer’s ‘Princess’
Semana Internacional de Cine de Valladolid: Andreea Pătru Interviews Israeli Filmmaker Avishai Sivan