“Refusing to look down on their characters, Kazakova and Mileva effectively portray disillusion by relying on familiarity and recognition to bring the marginalised closer.”
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“While some metaphors seem rather self-explanatory, Fukada effectively develops a multifaceted character by transforming Ichiko from a collateral victim into an accomplice. ‘A Girl Missing’ highlights the importance of knowing when to speak up and when to stay silent.”
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“Coherence is the last concern in ‘The Green Fog,’ whose beauty is comprised in the hidden connections between the city-film tropes.”
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“‘No Date, No Signature’ excels by subtly examining themes of integrity and moral duties.”
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“The father’s strength lies in knowing when to ‘protect the heart by pretending to have no heart,’ and the moment when he chooses to do so is devastating.”
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“These allegorical films remind of the original connections that we have lost.”
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“It’s the demons within that Kôji Fukada astutely brings to life in ‘Harmonium.'”
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“Ultimately, ‘Bitter Money’ points out that accumulating money doesn’t necessarily bring wealth, and that slaving away isn’t necessarily a solution for the Chinese subjects — it’s their only option.”
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“Roberts believes in the subtle force of his nice-as-pie protagonist, and he is right: Katie’s light outshines the blue Arizona sky.”
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“We can’t always get what we want, but ‘Mes nuits feront écho’ shows that, in our dreams, we are in charge.”
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“All in all, ‘Demonios tus ojos’ is a movie about the excitement of doing something prohibited.”
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“The beauty of ‘Super Dark Times’ can be found in its caring and sensitive vision for the characters’ world.”
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“In this promising debut, there is something beautiful about the resignation that humanity can be found in surprising places.”
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“The film is more of a mood piece than a purely narrative feature, one that prefers to focus on the nuances of being different.”
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“We don’t who Helmut Berger is. Neither does he. Once a star, he will always be a star.”
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“In the end, the two films are essentially stories about connections with others, with life itself and ourselves.”
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“With clear references to the cult horror ‘Rosemary’s Baby’, ‘Shelley’ explores the theme of pregnancy as an invasion.”
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Semana Internacional de Cine de Valladolid: Andreea Pătru on the recipient of the 2015 Meeting Point Audience Award.
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Semana Internacional de Cine de Valladolid: Andreea Pătru on Beata Gårdeler’s ‘Flocking” and Tali Shalom-Ezer’s ‘Princess’
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Semana Internacional de Cine de Valladolid: Andreea Pătru Interviews Israeli Filmmaker Avishai Sivan
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