“With a gorgeous vintage sheen across its 4:3 aspect ratio, Sakurai’s short establishes a magical realist land that magnifies the burgeoning diversity of America today – along with all the confusion, preposterousness and sudden violence that comes with it.”
“Even if ‘Ben is Back’ tries a little too hard to ramp up the stakes, the fact remains that Hedges and Roberts’ performances make for an incredibly powerful on-screen relationship.”
“A rare co-production between China and Japan, ‘Complicity’ is a timely feature that fits perfectly in our current political climate, especially as Chikaura urges viewers to lend a helping hand despite the most unfavourable circumstances.”
“‘José’ depicts a toxic environment where no one can love freely, where relationships are doomed to sink and where looking at the sky can only offer a fickle joy lasting as briefly as fireworks during a hot summer night.”
“If ‘The Wandering Earth’ is China’s first step in big budget space adventure, it promises a giant leap not far down the line.”
“‘Sauvage’ emerges in the context of ‘BPM (Beats Per Minute)’ as a darker, grittier cousin. Both tell physically intimate stories, but where ‘BPM (Beats Per Minute)’ brims with romance, anger and sheer joy, ‘Sauvage’ has a harder edge and leaves more of a bitter taste.”
“‘Sophia Antipolis’ is not a movie that will be easily digested outside of movie theaters, as it goes mostly for an aesthetic experience rather than a plot-driven story.”
“Documentaries always warrant ethical questions about the narrative process, and Laboissière is impressively restrained with her direction.”
“‘Out of Sight, Out of Mind’ finds a solidly affecting balance of lightheartedness, satire and true, resonant emotion in its final 20 minutes…”
“‘Happy Death Day 2U’ is a light sci-fi movie with the thinnest veneer of horror, and your enjoyment of the film will depend on your willingness to accept its geeky premise and nonexistent scare factor.”
