Soundtracks of Cinema: ‘Resort to Love’
โResort to Loveโ Soundtrack: A Vague Visages guide for every song in Steven K. Tsuchida’s 2021 Netflix movie.
โResort to Loveโ Soundtrack: A Vague Visages guide for every song in Steven K. Tsuchida’s 2021 Netflix movie.
‘Resort to Love’ Cast: A Vague Visages guide for every actor and character in Steven K. Tsuchidaโs 2021 Netflix movie.
“Fifty years since its release,ย ‘Ashad Ka Ek Din’ย holds on to its Bressonian and austere power.”
‘The Last Letter from Your Lover’ Soundtrack: A Vague Visages guide for every song in Augustine Frizzell’s 2021 Netflix movie.
‘The Last Letter from Your Lover’ Cast: A Vague Visages guide for every actor and character in Augustine Frizzell’s 2021 Netflix movie.
‘Romeo + Juliet’ Soundtrack: A Vague Visages guide for every featured song in Baz Luhrmann’s 1996 movie.
“‘Sublet’ is a well-done film that manages to fuse different cultures and stories through its central romantic fling, renting its short running time for a meaningful, if imperfect experience.”
“‘In the Heights’ isย far from a smooth transition from stage to screen, but the film remains an infectiously charming tale of community, and a far more incisive piece of social commentary than one might expect from the creator of ‘Hamilton.'”
“For all the activistsโ fevered activity, ‘And Tomorrow the Entire World’ completely sidesteps the exploration of political ideas and ideology beyond the simple urge to thump Nazis or argue with racists.”
“Bellocchio’s 1986 film ‘Devil in the Flesh’ is perfectly representative of the great Italian directorโs outlook.”
Author Joseph B. Atkins on Filmmaker Monte Hellman’s Life and Career
“Plenty of double-themed movies have been made over the years, but ‘Ride or Die’ seems like an ideal companion piece to ‘Persona.’ Both films are sexually provocative, and both require multiple viewings to better understand the perspectives of each female protagonist.”
“‘Bridget Jonesโs Diary’ย is heartbreaking and life-affirming in equal measure, which is a difficult balance to pull off, particularly in a movie that frequently treats its protagonist quite harshly.”
“‘No Hard Feelings’ takes queerness as a given, capturing queer joy onscreen while never losing sight of the stark realities of migrants seeking refuge in a still highly xenophobic Europe.”
“The way ‘Sweetheart’ approaches the topic of AJโs sexuality isnโt groundbreaking, but in a world where queer coming of age stories are still defined by the โcoming outโ part, it feels refreshing all the same.”
“For a debut feature, ‘Kiss Me Before It Blows Up’ย is a bold and assertive movie that nails a few funny moments, but it would’ve benefitted from a more nuanced exploration of its complex subject matter.”
“Looking back on early-2000s fare, ‘Get Over It’ stands out as smarter, sweeter, funnier and weirder than many of its contemporaries…”
“It’s a delight to watch Stork think in ‘Preparations to Be Together for an Unknown Period of Time.’ Her cogitations are signaled by the darting actions of her piercing blue eyes, the slight flex of an eyebrow or the raising of a subtle and pursed smirk.”
“One of the great pleasures of watching any Almodรณvar film, but especially ‘Julieta,’ is studying its expressionistic textures…”
“‘As We Like It’ is a film that makes many unique moments out of its childish buffoonery, and it’s lifted, like its characters, into a class of its own.”