IFFR 2019: An Interview with ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
Yoana Pavlova Interviews ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
‘Unbreakable’ and the Horror of Superheroes
“As a recurring visual motif in ‘Unbreakable’ illustrates, sometimes all it takes to do something new is by turning things upside down and gaining a different perspective.”
Interview With Grindflicks’ Randal Black About Fargo’s Turkish Movie Showcase
Greg Carlson Interviews Grindflicks Founder Randal Black About ‘Turkish Movie Showcase: A Mega Mix of Turkish Flix’
Eli Roth Replaces Trademark Irreverence with Quiet Reverence for ‘The House with a Clock in Its Walls’
“Ultimately, it seems that the film’s pleasant and inoffensive affect is exactly what Roth intends. The work is unassuming, competently handled and ably colored within its established lines. It aims clearly and unwaveringly to please a young target audience.”
‘Deep Blue Sea’ Is Still the Biggest, Baddest Shark Movie Since ‘Jaws’
“Unlike its modern genre contemporaries, ‘Deep Blue Sea’ takes itself seriously, creating genuine fear and tension from the characters’ perilous situation.”
Cannes Film Festival Review: David Robert Mitchell’s ‘Under the Silver Lake’
“It’ll take more than a surface-level appreciation of ‘Under the Silver Lake’ to grasp what lies beneath real threats, instinctive desire and a swilling indebtment to the world that has shaped who we are.”
Vague Visages Writers’ Room: Weekend Vibes 5.4.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Vague Visages Writers’ Room: Weekend Vibes 3.23.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
‘American Made’: Cruising into Character
“One doesn’t expect an immediate return to iconic roles like Vincent Lauria or T.J. Mackey, but hopefully Barry Seal is just the start.”
Review: Christopher Nolan’s ‘Dunkirk’
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
Vague Visages Short Stories: The Caveat by Dan Thorn
Vague Visages Short Stories #5: The Caveat by Dan Thorn (Calgary, Alberta)
What I Learned from Martin Scorsese’s ‘Life Lessons’
“Martin Scorsese’s ‘Life Lessons’ benefits more from analysis as a self-standing artistic expression than as a counterpoint to the other installments of ‘New York Stories.'”
Why Criticism: Horror’s Fight for Respect
A Column on Film Criticism by Justine A. Smith
Is Michael Mann’s Horror ‘The Keep’ a Hidden Gem? Well…
“Really, the main worth of The Keep is as a curiosity; to see a significantly different career path that Mann could have taken had this film had any sort of positive impact on pop culture.”
Review: Gil Kenan’s ‘Poltergeist’
“This Poltergeist is an efficient, amiably entertaining riff on an established thrill ride, but the film does little to spook long-term.”
An Attractive Fraction: Tim Burton’s ‘Big Eyes’
“Tim Burton’s film has plenty of flaws, but the visceral experience of Big Eyes allows for loads of fun and exciting frustration.”
Sensory Deprivation and Cinema: A Chat with Kristina Buožytė and Bruno Samper of ‘Vanishing Waves’
Q.V. Hough Interviews Directors Kristina Buožytė and Bruno Samper
