Know the Cast: ‘Nine Perfect Strangers’
‘Nine Perfect Strangers’ Cast: A Vague Visages guide for every main performer and character in David E. Kelley’s 2021 Hulu miniseries.
‘Nine Perfect Strangers’ Cast: A Vague Visages guide for every main performer and character in David E. Kelley’s 2021 Hulu miniseries.
‘Reminiscence’ Cast: A Vague Visages guide for every main performer and character in Lisa Joy’s 2021 movie.
‘Brand New Cherry Flavor’ Soundtrack: A Vague Visages guide for every song in Netflix’s 2021 limited series.
‘Brand New Cherry Flavor’ on Netflix: Check out Vague Visages’ update on the release date, cast and trailer.
‘Brand New Cherry Favor’ Cast: A Vague Visages guide for every actor and character in the 2021 Netflix series.
‘Aftermath’ Cast: A Vague Visages guide for every actor and character in Peter Winther’s 2021 movie.
“‘Original Sin’ is an unabashedly horny movie, and Cristofer isn’t shy about showing off either of his gorgeous stars.”
VVoices #7: Vague Visages Contributors on the Best M. Night Shyamalan Film
“While ‘Old’ never quite fully connects emotionally, the themes inherent in the story help lend the movie the depth it doesn’t get from the performances”
‘Old’ Cast: A Vague Visages guide for every actor and character in M. Night Shyamalan’s 2021 movie.
‘The Village’ Cast: A Vague Visages guide for every actor and character in M. Night Shyamalan’s 2004 movie.
‘Fear Street Part Three: 1666’ Soundtrack: A Vague Visages guide for every featured song in Leigh Janiak’s 2021 Netflix movie.
‘Fear Street Part One: 1994’ Soundtrack: A Vague Visages guide for every song in Leigh Janiak’s 2021 Netflix movie.
“For all its islands of promise, ‘Threshold’ is really just a passable family addiction drama with horror elements that are never fully realized.”
“‘The Conjuring: The Devil Made Me Do It’ fails to meet its potential as a thoughtful thriller that explores possession on both the supernatural and human front…”
Dipankar Sarkar Interviews ‘Irul’ Filmmaker Naseef Yusuf Izuddin
“‘The elements of ‘The Dry’ may be conventional, but the presentation, as well as Connolly’s attunement to very real concerns, still burns.”
“Everything about ‘Seance’ is loudly, proudly feminine and female focused… if one didn’t know this was Barrett’s work, it could easily be mistaken for that of a female filmmaker, which is no small feat.”
“Sure, ‘Saint Maud’ can be called a horror film, but it is equally a psychological drama that gets a lot of mileage from a tried and true trope: the shifting power dynamics in a superior/subordinate relationship.”
“While Wright’s stylized execution is impressive, ‘The Woman in the Window’ is a yarn that never fully grabs its audience by the jugular.”