Know the Cast: ‘Nine Perfect Strangers’
‘Nine Perfect Strangers’ Cast: A Vague Visages guide for every main performer and character in David E. Kelley’s 2021 Hulu miniseries.
Know the Cast: ‘Reminiscence’
‘Reminiscence’ Cast: A Vague Visages guide for every main performer and character in Lisa Joy’s 2021 movie.
Soundtracks of Television: ‘Brand New Cherry Flavor’
‘Brand New Cherry Flavor’ Soundtrack: A Vague Visages guide for every song in Netflix’s 2021 limited series.
‘Brand New Cherry Flavor’ Season 2 Updates
‘Brand New Cherry Flavor’ on Netflix: Check out Vague Visages’ update on the release date, cast and trailer.
Know the Cast: ‘Brand New Cherry Flavor’
‘Brand New Cherry Favor’ Cast: A Vague Visages guide for every actor and character in the 2021 Netflix series.
Know the Cast: ‘Aftermath’
‘Aftermath’ Cast: A Vague Visages guide for every actor and character in Peter Winther’s 2021 movie.
The Sensual Delights of Michael Cristofer’s ‘Original Sin’
“‘Original Sin’ is an unabashedly horny movie, and Cristofer isn’t shy about showing off either of his gorgeous stars.”
VVoices: Best M. Night Shyamalan Film
VVoices #7: Vague Visages Contributors on the Best M. Night Shyamalan Film
Review: M. Night Shyamalan’s ‘Old’
“While ‘Old’ never quite fully connects emotionally, the themes inherent in the story help lend the movie the depth it doesn’t get from the performances”
Know the Cast: ‘Old’
‘Old’ Cast: A Vague Visages guide for every actor and character in M. Night Shyamalan’s 2021 movie.
Know the Cast: ‘The Village’
‘The Village’ Cast: A Vague Visages guide for every actor and character in M. Night Shyamalan’s 2004 movie.
Soundtracks of Cinema: ‘Fear Street Part Three: 1666’
‘Fear Street Part Three: 1666’ Soundtrack: A Vague Visages guide for every featured song in Leigh Janiak’s 2021 Netflix movie.
Soundtracks of Cinema: ‘Fear Street Part One: 1994’
‘Fear Street Part One: 1994’ Soundtrack: A Vague Visages guide for every song in Leigh Janiak’s 2021 Netflix movie.
Review: Powell Robinson and Patrick Robert Young’s ‘Threshold’
“For all its islands of promise, ‘Threshold’ is really just a passable family addiction drama with horror elements that are never fully realized.”
Review: Michael Chaves’ ‘The Conjuring: The Devil Made Me Do It’
“‘The Conjuring: The Devil Made Me Do It’ fails to meet its potential as a thoughtful thriller that explores possession on both the supernatural and human front…”
Interview with ‘Irul’ Filmmaker Naseef Yusuf Izuddin
Dipankar Sarkar Interviews ‘Irul’ Filmmaker Naseef Yusuf Izuddin
Review: Robert Connolly’s ‘The Dry’
“‘The elements of ‘The Dry’ may be conventional, but the presentation, as well as Connolly’s attunement to very real concerns, still burns.”
Review: Simon Barrett’s ‘Seance’
“Everything about ‘Seance’ is loudly, proudly feminine and female focused… if one didn’t know this was Barrett’s work, it could easily be mistaken for that of a female filmmaker, which is no small feat.”
Rose Glass Makes a Memorable Feature Debut with ‘Saint Maud’
“Sure, ‘Saint Maud’ can be called a horror film, but it is equally a psychological drama that gets a lot of mileage from a tried and true trope: the shifting power dynamics in a superior/subordinate relationship.”
Netflix Review: Joe Wright’s ‘The Woman in the Window’
“While Wright’s stylized execution is impressive, ‘The Woman in the Window’ is a yarn that never fully grabs its audience by the jugular.”