“‘José’ depicts a toxic environment where no one can love freely, where relationships are doomed to sink and where looking at the sky can only offer a fickle joy lasting as briefly as fireworks during a hot summer night.”
“If ‘The Wandering Earth’ is China’s first step in big budget space adventure, it promises a giant leap not far down the line.”
“Kore-eda has the caring, loving eyes of a father who cannot help but follow all his children walking hand in hand towards the horizon.”
“Few animated films look like Yamada productions, fewer still feel like them.”
“‘Sauvage’ emerges in the context of ‘BPM (Beats Per Minute)’ as a darker, grittier cousin. Both tell physically intimate stories, but where ‘BPM (Beats Per Minute)’ brims with romance, anger and sheer joy, ‘Sauvage’ has a harder edge and leaves more of a bitter taste.”
Marshall Shaffer on Film Society of Lincoln Center’s Rendez-Vous with French Cinema 2019
“‘Sophia Antipolis’ is not a movie that will be easily digested outside of movie theaters, as it goes mostly for an aesthetic experience rather than a plot-driven story.”
“Documentaries always warrant ethical questions about the narrative process, and Laboissière is impressively restrained with her direction.”
“‘Out of Sight, Out of Mind’ finds a solidly affecting balance of lightheartedness, satire and true, resonant emotion in its final 20 minutes…”
Yoana Pavlova Interviews ‘We’re All Sailors’ Filmmaker Miguel Ángel Moulet and Cinematographer Camilo Soratti
“For Paul Schrader, First Reformed’s visual style realizes ideas of transcendental style that he first theorized at the beginning of his career. But that style only works because it serves the story and character he crafted so carefully.”
“‘Happy Death Day 2U’ is a light sci-fi movie with the thinnest veneer of horror, and your enjoyment of the film will depend on your willingness to accept its geeky premise and nonexistent scare factor.”
“‘Director A.J. Eaton’s rock star biography ‘David Crosby: Remember My Name’ checks all the boxes of the lion-in-winter music documentary.”
“‘BlacKkKlansman,’ fairly or not, will be judged as Lee’s ‘comeback’ movie. He never really left, of course.”
“Rodriguez’s battle scenes and the performance capture acting of Rosa Salazar (Alita) are shining aspects of the film, but not enough to render it praiseworthy overall.”
“Garver doesn’t really provide more than an overview, but perhaps that will indeed bring new eyes to some great American writing.”
“A worthy tale of a pivotal figure, ‘Mr. Jones’ deserves consideration, even if it is to be met with confusion and scorn.”
“‘Monos’ is a powerhouse of mood and aesthetic, weaponising every element of the form in service of a nightmarish descent into hell in the vein of ‘Lord of the Flies’ or ‘Heart of Darkness.’”
“‘No Data Plan’ is a story for our times. More importantly, it’s a snapshot of a way of life that’s already become commonplace for untold numbers of people in the U.S. and worldwide.”
“‘The Souvenir’ is an infuriating but ultimately rewarding experience set to inspire deep criticism and analysis.”