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‘What If… ?’ Cast: A Vague Visages guide for every actor and character in season 1, episode 1 on Disney+.
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‘The Suicide Squad’ Soundtrack: A Vague Visages guide for every featured song in the 2021 DCEU movie starring Margot Robbie.
Kate: Q.V. Hough lists five key observations about the trailer for Cedric Nicolas-Troyan’s 2021 Netflix film starring Mary Elizabeth Winstead.
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‘Massacre Time’ Cast: A Vague Visages guide for every main performer and character in Lucio Fulci’s 1966 movie.
“At first blush, ‘Cotton Comes to Harlem’ may not seem like a traditional noir production. But over time, the 1970 film has become one of the most vivid examples of the genre being inclusive.”
‘Gunpowder Milkshake’ Cast: A Vague Visages guide for every main performer and character in Navot Papushado’s 2021 Netflix movie.
‘Gunpowder Milkshake’ Soundtrack: A Vague Visages guide for every feature song in Navot Papushado’s 2021 Netflix movie.
“Shortland brings her keen feature filmmaking chops to ‘Black Widow’ as a welcome addition to the talented pool of storytellers who can match the Kevin Feige house style without any significant artistic compromise.”
“Masculinity in Mann’s world is its own prison, a conundrum of duality, a question of what someone will stand for and the masks they may wear while striving for an identity.”
“Previous incarnations of Godzilla worked best by implanting ideas that were tangible. However, in the world of ‘Godzilla Singular Point,’ the ideas prove to be non-existent, as do the inhabitants.”
Joey Keogh on the 20th Anniversary of ‘The Fast and the Furious’
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“‘Army of the Dead’ is an algorithmic cleansing exhale in the wake of a whirlwind period in Snyder’s career. As a zombie movie, it’s a shallow, scattershot effort with interesting mythology ideas that don’t really go anywhere…”
“Comic book adaptations are by no means an easy task, but Robert Kirkman and his co-producers achieve a soaring success with the Amazon Prime series ‘Invincible.'”
Mannhunting #1 by Bill Bria: “The protagonists and antagonists in Mann’s films tend to be mirror images of each other, all of them caught within masculinity’s shackles.”