“Whenever they exist, wherever they roam, with this continuation of personality and principle, it is often as if Peckinpah’s characters were simply picked up from the past and dropped into another time, a time where the Western — and western — spirit remains.”
“Perry has written an anti-heroine who is wholly clued into her own mythology metaphor, referring to herself and the band’s circumstances using the self-aggrandizing language of conquests, lore and legacy.”
“Films like ‘Rocky II’ age well because the moments that now seem anachronistic serve to shed light on problems we still have today, delivered by the kind of characters viewers can sympathise with, even if one doesn’t agree with all their opinions.”
“Whether or not Johnson overcomes the arguments made by James Baldwin in essays contained within ‘Notes of a Native Son’ rests largely with the viewer’s sympathies with the objectives and sensibilities of Wright (and Johnson).”
“By dissecting and re-representing time through the cinematic apparatus, ‘Chungking Express’ demonstrates that modern life is not unequivocally devoid of romanticism.”
“It’s telling that all of the human interactions in ‘Murder by Contract’ involve either money or business. The illusions of the profit motive and market forces have alienated Claude from his own emotions and left him broken and alone.”
“‘Ash Is Purest White,’ Zhangke’s latest film, is another masterful chapter of the director’s artistic journey, one that works wonderfully as a point of entry into his oeuvre.”
“Sometimes, films set in and around Hollywood manage to capture a sense about the place that’s strange and uncanny, a place in love with its past and afraid of its future, leaving nothing but ghosts behind to haunt the hills, and to walk the empty mansions.”
“Sexism and toxic masculinity are not unusual in this genre, but DaCosta’s emphasis on sisterhood and the presentation of a female point of view turn ‘Little Woods’ into a fresh, must-see cinematic experience.”
“The characters in ‘Ladies and Gentlemen, the Fabulous Stains,’ ‘Smithereens’ and ‘Suburbia’ find in punk rock a convenient shorthand for authenticity, a posture which presages its eventual absorption into the very mechanisms it sets out to oppose.”
“Uggadottir’s ‘And Breathe Normally’ evokes a whole new style of Icelandic cinema, one which is inseparable from the country’s physical existence.”
“The director handles all the confused attraction with enough sophistication that the plot’s actual direction sneaks up in a manner that smartly defies cliche, as well as the audience’s first likely guess.”
“Despite being a well-intentioned art house film, ‘Soni’ somehow fails to create an impressionistic effect and often feels cliched. But what’s commendable is the character treatment by the debutant director, Ayr.”
Pablo Staricco Cadenazzi Interviews ‘Madeline’s Madeline’ Cinematographer Ashley Connor
“‘The Sound of Falling’ is beguiling and a handsome work by a promising filmmaker. Whether Chien-Yu Lin’s future work lands on either writing, directing or production design, she’s one to keep an eye on.”
“Oftentimes, shorts will hammer home their endings, but Peiro executes his conclusion quickly, and with full confidence.”
“It’s commendable that Kawase tries to bridge the gap between the West and the East by writing a story that attempts to transcend both time and any kind of racial differences.”
“This is a moody, thoughtful and impressively weird debut feature from White.”
“‘I Do Not Care If We Go Down in History’ provides historical context of a brutal period not known to many, and facilitates a discussion of Romania’s pro-Nazi involvement in the Second World War. But narratively, Jude’s film achieves little.”
“Even if ‘Ben is Back’ tries a little too hard to ramp up the stakes, the fact remains that Hedges and Roberts’ performances make for an incredibly powerful on-screen relationship.”